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@ Download PDF The Rhetoric of Terror: Reflections on 9/11 and the War on Terror, by Marc Redfield

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The terrorist attacks of September 11, 2001, did symbolic as well as literal damage. A trace of this cultural shock echoes in the American idiom 9/11: a bare name-date conveying both a trauma (the unspeakable happened then) and a claim on our knowledge. In the first of the two interlinked essays making up The Rhetoric of Terror, Marc Redfield proposes the notion of virtual traumato describe the cultural wound that this name-date both deflects and relays. Virtual trauma describes the shock of an event at once terribly real and utterly mediated. In consequence, a tormented self-reflexivity has tended to characterize representations of 9/11 in texts, discussions, and films, such as World Trade Center and United 93.In the second half of the book, Redfield examines the historical and philosophical infrastructure of the notion of war on terror.Redfield argues that the declaration of war on terror is the exemplary postmodern sovereign speech act: it unleashes war as terror and terror as war, while remaining a crazed, even in a certain sense fictional performative utterance. Only a pseudosovereign-the executive officer of the world's superpower-could have declared this absolute, phantasmatic, yet terribly damaging war. Though politicized terror and absolute war have their roots in the French Revolution and the emergence of the modern nation-state, Redfield suggests that the idea of a war on terror relays the complex, spectral afterlife of sovereignty in an era of biopower, global capital, and telecommunication.A moving, wide-ranging, and rigorous meditation on the cultural tragedy of our era, The Rhetoric of Terror also unfolds as an act of mourning for Jacques Derrida. Derrida's groundbreaking philosophical analysis of iterability-iterability as the exposure to repetition with a difference elsewhere that makes all technics, signification, and psychic life possible-helps us understand why questions of mediation and aesthetics so rapidly become so fraught in our culture; why efforts to repress our essential political, psychic, and ontological vulnerability generate recursive spasms of violence; why ethical living-together involves uninsurable acts of hospitality. The Rhetoric of Terror closes with an affirmation of eirenic cosmopolitanism.

Sales Rank: #1769206 in Books
Published on: 2009-09-07
Original language: English
Number of items: 1
Dimensions: 5.90" h x .50" w x 8.90" l, .52 pounds
Binding: Paperback
148 pages

Review

A masterly elaboration of post-structuralist thought on the subject.-Robert Applebaum

Topics include the attacks as a mediated spectacle.

A stimulating tour de force, The Rhetoric of Terror provides a brilliant lexicon of central keywords of our recent political life. Redfield's analysis of '9/11,' 'Ground Zero,' 'the war on terror' and other powerful slogans traces the performative paradoxes that have enabled these phrases to do such terrible work.Martin Harries

About the Author

MARC REDFIELD is Professor of English and Comparative Literature at Brown University, where he teaches literature and literary theory. He is the author of Phantom Formations: Aesthetic Ideology and the Bildungsroman (winner of the First Book Prize of the MLA) and The Politics of Aesthetics: Nationalism, Gender, Romanticism. Among the books he has edited is Legacies of Paul de Man (Fordham).

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1 of 1 people found the following review helpful.
America’s fear of ambiguity allowed ambiguity to reign over the ...
By Matthew Armstrong
America’s fear of ambiguity allowed ambiguity to reign over the USA in the costume of its opposite: simplicity. The Bush administration’s “war on terror” introduced a world in which a president could constantly claim he was a war-time president while at the same time argue that his adversaries were not soldiers, and, therefore, entitled, to human rights. This is just the tip of the iceberg. Marc Redfield’s masterpiece exposes the way our relationship to language and consciousness has been altered by the epoch of terror. Redfield is interested in the American media’s aversion to studying the theatrics—the aesthetics—of “the war on terror,” and what that fear tells us about ourselves and our cultural traditions. The Rhetoric of Terror is dense and compact, succinct and complex. In this book, Redfield accomplishes what so many critics of theory insist is lost in the current academy: a balance between the immediate and the mediated, the rigorous and the accessible. This is an important book.

1 of 2 people found the following review helpful.
A literary and social survey of how 'terror' has haunted politics and theory from the French Revolution to modern times
By Midwest Book Review
Any college-level collection strong in political rhetoric will welcome The Rhetoric of Terror: Reflections on 9/11 and the War on Terror. It provides a strong analysis of war scenarios, political influences on language, and political and military self-expression, offering a literary and social survey of how 'terror' has haunted politics and theory from the French Revolution to modern times.

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In 1631, Marie Guyart stepped over the threshold of the Ursuline convent in Tours, leaving behind her eleven-year-old son, Claude, against the wishes of her family and her own misgivings. Marie concluded, "God was dearer to me than all that. Leaving him therefore in His hands, I bid adieu to him joyfully." Claude organized a band of schoolboys to storm the convent, begging for his mother's return. Eight years later, Marie made her way to Quebec, where over the course of the next thirty-three years she opened the first school for Native American girls, translated catechisms into indigenous languages, and served some eighteen years as superior of the first Ursuline convent in the New World. She would also maintain, over this same period, an extensive and intimate correspondence with the son she had abandoned to serve God.The Cruelest of All Mothers is, fundamentally, an explanation of Marie de l'Incarnation's decision to abandon Claude for religious life. Complicating Marie's own explication of the abandonment as a sacrifice carried out in imitation of Christ and in submission to God's will, the book situates the event against the background of early modern French family life, the marginalization of motherhood in the Christian tradition, and seventeenth-century French Catholic spirituality. Deeply grounded in a set of rich primary sources, The Cruelest of All Mothers offers a rich and complex analysis of the abandonment.

Sales Rank: #2901088 in Books
Published on: 2015-10-01
Original language: English
Number of items: 1
Dimensions: 6.20" h x .80" w x 8.90" l, .0 pounds
Binding: Hardcover
224 pages

Review

"Extraordinary: beautifully written, theoretically daring, and a model of scholarly dedication. The Cruelest of All Mothers takes readers on an incredible journey to understand the relationship between the French mystic, Marie de l'Incarnation and the son she abandons for God, Claude Martin. But more than that, Dunn reads the abandonment as a brilliant scholar of Christianity, and shows how Marie echoes a longstanding (but seldom acknowledged) tradition that tethers female sanctity to the renunciation of their children. She also boldly draws from a contemporary critical theory and from her own personal experience as a mother, and dares to think how we might re-think the place of motherhood today. Taken together, the book is rich with historical and theoretical insight, moving, and deeply compelling. It lingered with me for days, and is sure to enrich our own conversations about gender, religion, and the history of Christianity. A gem!" -- Brenna Moore, Fordham University

"The Cruelest of Mothers is a unique book, unlike anything I have read before. It defies disciplinary or methodological boundaries. On the contrary, like a Russian nesting doll, it contains layers within layers: being at once a deeply personal, confessional work, a historical analysis, a theological work, and a long and profound meditation upon subjectivity and scholarship."--Emma Anderson, University of Ottawa

"A daring project of an unexpected intimacy between two women separated by almost half a millennium. It interlaces Mary Dunn's own moving process of meaning-making of family hardships with a thoughtful historical interpretation of the most painful and intriguing moment of the life of St. Marie Guyart of the Incarnation (1599-1672): when she abandoned her only son to answer the call of her God. Informed by Pierre Bourdieu's understanding of the range of human action as much as by Julia Kristeva's hypothesis on maternal sacrifice, Mary Dunn reflects on Marie Guyart's agency as a mother, a widow and a mystic in a world where religious and devote women were deeply influenced by the French Catholic spirituality of self-surrender."--Dominique Deslandres, Université de Montréal

"A fascinating study of motherhood and the Christian tradition as exemplified by the life of a 17th-century Ursuline nun, Marie de l'Incarnation."--Catholic Herald

About the Author

Mary Dunn is an assistant professor of early modern Christianity at St. Louis University. Her first book, From Mother to Son: Selected Letters from Marie de l'Incarnation to Claude Martin, was published by Oxford University Press in 2014. She has also published articles in the Canadian Historical Review, Quebec Studies, and the Journal of Feminist Studies in Religion, among other journals.

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Selasa, 25 Februari 2014

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In this portrait of Dubuque, Iowa, Russell Johnson combines personal narratives with social, political, and economic analysis to shed new light on what the War meant for one city and for the rapidly growing north. Johnson examines the experiences of Dubuque's soldiers and their families to answer crucial questions: What impact did the Civil War have on the economic and social life of Dubuque? How did military service affect the social mobility of veterans? And how did army service, as a form of industrial organization, help create a modern workforce? Warriors into Workers makes a significant contribution to our understanding of the formation of American industrial society, and addresses key issues in labor history, military history, political culture, and gender.

Sales Rank: #5751959 in Books
Brand: Brand: Fordham University Press
Published on: 2003-09-12
Original language: English
Number of items: 1
Dimensions: 6.30" h x 1.20" w x 9.10" l, 1.80 pounds
Binding: Hardcover
388 pages

Features

Used Book in Good Condition

About the Author

Russell L. Johnson teaches at the University of Otago.

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From the explanation over, it is clear that you have to review this e-book Draw The Draw 50 Way: How To Draw Cats, Puppies, Horses, Buildings, Birds, Aliens, Boats, Trains, And Everything Else Under The Sun, By Le We offer the on the internet e-book qualified Draw The Draw 50 Way: How To Draw Cats, Puppies, Horses, Buildings, Birds, Aliens, Boats, Trains, And Everything Else Under The Sun, By Le right below by clicking the web link download. From discussed book by on the internet, you could provide much more perks for many people. Besides, the visitors will be also easily to get the favourite book Draw The Draw 50 Way: How To Draw Cats, Puppies, Horses, Buildings, Birds, Aliens, Boats, Trains, And Everything Else Under The Sun, By Le to read. Locate the most favourite as well as needed publication Draw The Draw 50 Way: How To Draw Cats, Puppies, Horses, Buildings, Birds, Aliens, Boats, Trains, And Everything Else Under The Sun, By Le to check out now and here.

Helps kids and aspiring artists alike learn how to create everything from puppies to aircraft, horses to skyscrapers and aliens to racing cars. In this series, the author shows how to draw sixty of his most popular drawings step by step. It also helps budding artists learn the basic movements and procedures of drawing.

Sales Rank: #18749 in Books
Published on: 2012-09-11
Released on: 2012-09-11
Original language: English
Number of items: 1
Dimensions: 10.90" h x .30" w x 8.50" l, .53 pounds
Binding: Paperback
80 pages

Review
Acclaim for Draw 50 Titles:
Draw 50 Monsters
Winner of the 1986 Garden State Children’s Book Award
“A natural choice for young artists.”—Booklist

Draw 50 Famous Cartoons
“As you add a line here and a circle there, the drawing will start to take shape. In a little while, you will have drawn your very own version of a popular character…This book is helpful to beginning artists, and it’s also lots of fun.”—The Pennywhistle Press

Draw 50 Cars, Trucks, and Motorcycles
“Another sure-fire success in a popular series.”—School Library Journal

Draw 50 Sharks, Whales, and Other Sea Creatures
“Young aspiring artists couldn’t find a more absorbing starting point that with these denizens of the sea…an important tool.”—The Midwest Book Review

About the Author
Lee Judah Ames (January 8, 1921 – June 3, 2011 ) was an American artist noted for his Draw 50... learn-to-draw books. He was born in Manhattan, New York. His first job at age eighteen was at Walt Disney Studios. He has since led a career as an advertising artist, fine artist, cartoonist, designer, animation in-betweener, illustrator, and as an artist-in residence at Doubleday. His series of 26 Draw 50... books take a friendly and minimalist approach to teaching drawing while the books often contain no instructional text. He enlisted in the military and served as a second lieutenant during World War II. He and his wife Jocelyn resided in Mission Viejo, California.

Excerpt. © Reprinted by permission. All rights reserved.
"If we taught children to speak, they'd never learn" - William Hull

Thirty or forty years ago, I read this quote. It stuck with me because i believe we often learn best through imitation. In many of my books I have advised that mimicry is prerequisite to creativity. It's wonderfully effective to imitate, copy, or trace what others have done in order to develop one's own tools for drawing before attempting to produce something original.

Most helpful customer reviews

30 of 30 people found the following review helpful.
Fantastic!
By R. Barron
My son received this book for Christmas and LOVES it. It's a great book for anyone that loves to draw - it breaks everything down for you and has a step by step illustration for every picture in the book.

28 of 28 people found the following review helpful.
my daughter loves these books
By Karel
These books are good for kids who want to move on beyond simple drawings and add things like fur and more details. My daughter is 9 yrs old and has spent many hours drawing from this book. This particular 50 book has a nice variety of things to draw.

22 of 23 people found the following review helpful.
The Draw 50 Way
By Amazon Customer
My almost 7 year old expressed an interest in drawing and I thought this book would be useful for her. I am afraid it is still a little too advanced for her and I did not find it very easy either. It looks like it would be very helpful for someone that already has an artistic base; it took me quite a bit of time to do one drawing. I still think it is a good book though.

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Senin, 24 Februari 2014

!! PDF Ebook Latvia in World War II (World War II: The Global, Human, and Ethical Dimension), by Valdis O. Lumans

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Valdis Lumans provides an authoritative, balanced, and comprehensive account of one of the most complex, and conflicted, arenas of the Second World War. Struggling against both Germany and the Soviet Union, Latvia emerged as an independent nation state after theFirst World War. In 1940, the Soviets occupied neutral Latvia, deporting or executing more than 30,000 Latvians before the Nazis invaded in 1941 and installed a puppet regime. The Red Army expelled the Germans in 1944 and reincorporated Latvia as a Soviet Republic. By the end of the war, an estimated 180,000 Latvians fled to the West. The Soviets would deport at least another 100,000.Drawing on a wide range of sources-many brought together here for the first time-Lumans synthesizes political, military, social, economic, diplomatic, and cultural history. He moves carefully through traditional sources, many of them partisan, to scholarship emerging since the end of the Cold War, to confront such issues as political loyalties, military collaboration, resistance, capitulation, the Soviet occupation, anti-Semitism, and the Latvian role in the Holocaust.

Sales Rank: #2258825 in Books
Published on: 2006-07-15
Original language: English
Number of items: 1
Dimensions: 6.40" h x 1.80" w x 9.10" l, 1.97 pounds
Binding: Hardcover
560 pages

Review
"A comprehensive history of Latvia from 1934..."

About the Author

Valdis O. Lumans is the Cleora Toole Murray Professor of History at the University of South Carolina Aiken. He is the author of Himmler's Auxiliaries: The Volksdeutsche Mittelstelleand the German National Minorities of Europe, 1933-1945.

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1 of 1 people found the following review helpful.
Barbarians at the door
By Vilnis Neilands
As a histographic document Mr. Lumans' Latvia in World War II has no match that I am aware of. It is so involved and detailed that none would dare challenge it's details.

Yet the author's own introduction/forward opens the door to a sway found throughout that pulls the work towards the author's beliefs often in opposition to other portions of the text. The work seems to lack the homogeneity of a well blended distillation but rather presents itself as an aggregate of disparate and often contravening lumps.

Mr. Lumans' forward aptly describes the dilemma of offspring being raised thousands of miles from their homeland based on parental remembrances rather than reality. My upbringing and Mr. Lumans' are virtually identical. It is not just a matter of distance and lack of reference but also of time, since parental `good old days' are sentimental vignettes of the past. Some offspring succumb to such reveries while others rebel. The romanticized memories are often so euphoric that it is easy for a child living under such to reach beyond neutrality in an attempt to bring balance. This perhaps might be the case in two prominent subjects of Mr. Lumans' book which appear unduly so impacted and mar an otherwise masterful work.

In his interpretations of the Ulmans' years, I am unconvinced that his ubiquitous negativity should be as intense as presented. A reading of scholars from his own bibliography, specifically Dreifelds and Ecksteins, reveal a multi century abuse of Latvian serfdom and underlying ingrained disdain of the overlord class, the extent of which does not appear to be appreciated by this author. Eradicating the vestiges of former ruling overlords was a common theme in Europe. This does not change the Ulmanis' years, but explains to a large extent their popular acceptance. Additionally, to somehow tie the Ulmanis' years as a ramp for the communist annexation, as is attempted in this book, is an assault that simply is a reach too far. Ulmanis' actions might inadvertently have abetted but surely he cannot be blamed for greasing the skids.

In his treatment of the Holocaust issues, Mr. Lumans seems as well to display a desire to habitually hyperextend towards the worst. Even in proffering hard data he seems to want to repeatedly err on the side of excess, often adding his own caveats of exaggeration. If his data interpretation is in order, how much value can be attributed to numbers from unverifiable field missions, the results of which will determine the reporter's military status. Or for that matter, from documents stashed in archives of a nation that as policy rewrote history at full gallop and to it's pleasure. Verifiablity does not necessarily ensure correctness. Nor should such routinely be magnified towards the author's particular penchant. Mr. Lumans readily points out that others do not agree with his presented data, yet rather then striking forth in neutral balance, he colors his views based on his exaggerated beliefs. Realistically there is no way to reach back to the ultimate truth. Yet if there is a truth to be found, I suspect it is somewhere between Mr. Lumans in his second generation distillations and a Mr. Anders in his small but very enlightening first generation account of a Jew, as he describes himself, Living Amidst Latvians in the Holocaust.

The psyche of a people who have routinely come under the sword physically, ethnically, or religiously by barbarian invaders as Genghis Khan, the Teutonic knights, Napoleon, Stalin, Hitler, the Poles and even Sweden, cannot help but be tempered by their ingrained lessons in self survival. Thus when they come under butchery once again by familiar invaders for the continuing and express purpose of extermination or enslavement in WW 2, civility could not have been expected. Because Latvia's culture and history is so tainted by the multi-layered barbarism of it's past and latest waves of genocidal horrors, the actuality of what and why and culpability will remain eluding even to the most scholarly in our midst.

As a histographic tool this book is well written and useful. But as to a deeper understanding of the happenings and causes, it subtly marred by the author's attempt, perhaps, at absolution from the traumatized ethnology he seems to be trying too hard to outrun.

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Minggu, 23 Februari 2014

# PDF Ebook Being-in-Creation: Human Responsibility in an Endangered World (Groundworks (FUP))From Fordham University Press

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What is the proper relationship between human beings and the more-than-human world? This philosophical question, which underlies vast environmental crises, forces us to investigate the tension between our extraordinary powers, which seem to set us apart from nature, even above it, and our thoroughgoing ordinariness, as revealed by the evolutionary history we share with all life.

The contributors to this volume ask us to consider whether the anxiety of unheimlichkeit, which in one form or another absorbed so much of twentieth-century philosophy, might reveal not our homelessness in the cosmos but a need for a fundamental belongingness and implacement in it.

Sales Rank: #2189310 in Books
Published on: 2015-09-01
Original language: English
Number of items: 1
Dimensions: 6.00" h x .70" w x 8.80" l,
Binding: Paperback
256 pages

Review

"Being-in-Creation, edited by Benson, Treanor, and Wirzba is a well-conceived and beautifully-executed collection of essays on a vitally important topic. In a situation of acute ecological crisis, we require the resources of all of our philosophical, theological and religious traditions, including the rich veins opened up for us here by the contributors, to offer us new ways of thinking about and living in the world."-Clayton Crockett, University of Central Arkansas

"This is a marvelous collection of essays with immense creative potential. Indeed, Being-in-Creation is opening up the doors of continental philosophy to shape a rich ecological theology. A groundbreaking contribution!"--Mary Evelyn Tucker, Yale University

About the Author

Brian Treanor is Professor of Philosophy and Director of Environmental Studies at Loyola Marymount University.

Bruce Ellis Benson is Professor of Philosophy at Wheaton College, Illinois.

Norman Wirzba is Professor of Theology and Ecology at Duke Divinity School and Research Professor at Duke's Nicholas School for the Environment.

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Sabtu, 22 Februari 2014

# Download Poets of the Italian Diaspora: A Bilingual AnthologyFrom Fordham University Press

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In the century between 1870 and 1970, about twenty-seven million migrants left Italy to work and live abroad. As a result, the worldwide Italian diaspora reportedly numbers more than sixty million people. Until now, however, there has not been an anthology devoted to the literature of the Italian diaspora that places it in a global context. This landmark volume presents a truly international selection of works by more than seventy Italian-language poets who are writing in countries from Australia to Venezuela. Their poetry is collected here into eleven geographical regions. The history and current state of Italian-language poetry in each region receives a critical overview by a knowledgeable scholar, who also introduces each poet and provides a bibliography of his or her work. All poems appear on facing pages in both Italian and English.Poets of the Italian Diaspora is part of a long-range project, by the editors and contributors, to expand the boundaries of the Italian literary canon.

Sales Rank: #2295948 in Books
Published on: 2014-04-01
Released on: 2010-10-18
Original language: Italian
Number of items: 1
Dimensions: 7.00" h x 2.10" w x 10.00" l, .0 pounds
Binding: Paperback
1115 pages

Review

An outstanding pioneering work that will mark a milestone in Italian Studies and will serve as the foundation of a new discipline, the literature of the Italian Diaspora.-Sante Matteo

About the Author

Luigi Bonaffini is Professor of Italian at Brooklyn College. He is the editor of the Journal of Italian Translation.

Joseph Perricone is Professor of Italian andComparative Literature at Fordham University. He is the book review editor of the Journal of Italian Translation.

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0 of 0 people found the following review helpful.
A treasure!
By Adrienne Jensen
This came in the mail and was so big and heavy and beautiful, I worried that I had accidentally ordered a $50 book! I checked my account and saw how very little I paid (less than $5), and I am just in awe. The poems are beautiful. They capture the emotions of the Italian emigrants in a way no work of nonfiction can. The English translations are invaluable for a shoddy Italian speaker like myself. I like to go back and forth between both languages. I just can't believe how little I paid for what I'm holding. I would happily pay $50 or more for this collection. What a treasure!

0 of 1 people found the following review helpful.
Most impressive and powerful
By Mark Twain Jr. Jr. Jr.
The most impressive collection of Italian Diaspora poets I have ever tried to read. Well worth the money. 1600 pages of English/Italian poems.

0 of 1 people found the following review helpful.
Five Stars
By CARLO MAGNO
The book is in excellentb conition

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Jumat, 21 Februari 2014

^^ Free Ebook Gilded Lili: Lili St. Cyr and the Striptease Mystique, by Kelly Dinardo

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Burlesque. A uniquely American form of entertainment...and one of the most celebrated forms in burlesque was that of the inimitable Lili St. Cyr. Her body of work as a striptease artist–featuring her innovative on-stage bubble baths and reverse stripteases–was on a level with such dazzling performers as Gypsy Rose Lee, Blaze Starr, Tempest Storm, and Ann Corio. And wherever the glamorous Queen of Burlesque appeared, controversy followed. Gilded Lili is the first biography of this pioneering artist, sure to be a smash as burlesque enjoys its own resurgence. Her tempestuous love affairs and troubled life make Lili St. Cyr's story a microcosm of American sexuality in the twentieth century, mirroring social changes in sexual politics and the commercialization of sexuality. A compelling biography and an intriguing take on feminist history, Gilded Lili is golden indeed.

Sales Rank: #1154220 in Books
Published on: 2007-10-16
Released on: 2007-10-16
Original language: English
Number of items: 1
Dimensions: 9.30" h x .85" w x 6.15" l,
Binding: Hardcover
256 pages

From Publishers Weekly
Starred Review. Contemporary "stripper chic" and the "neo-burlesque movement" have spurred new interest in Lili St. Cyr, one of America's best-known postwar striptease artists, and this swift, engaging biography from freelance writer DiNardo is sure to satisfy, offering not only a portrait of the pioneering sex symbol but also a carefully researched history of the burlesque industry from the mid-1800s to its 20th century heyday. Most enthralling, however, is the delicious dossier of St. Cyr's lovers; although her official husband-count is six, her love affairs-with both men and women-may number into the hundreds. Ironically, she battled loneliness all her days, sinking into despair and heroin addiction toward the end of her life. The story of the burlesque queen with the physique of a goddess makes for great reading, and gossip hounds will delight in rumors that "Gilded Lili" taught Marilyn Monroe many of her best-known sexpot affectations. (Even more intriguing, sources claim that St. Cyr had a clandestine love affair with the blonde bombshell.) DiNardo shows admirable skepticism while reporting the salacious morsels long associated with St. Cyr, sorting the stage siren's real life from the legend that grew around her. Despite the rigors of fame, Lili proves strikingly self-aware-"Years of adulation...spoiled me,'" she admitted-making her as tragic and sympathetic a figure as any of the famously troubled stars who followed.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Contemporary "stripper chic" and the "neo-burlesque movement" have spurred new interest in Lili St. Cyr, one of America's best-known postwar striptease artists, and this swift, engaging biography from freelance writer DiNardo is sure to satisfy, offering not only a portrait of the pioneering sex symbol but also a carefully researched history of the burlesque industry from the mid-1800s to its 20th century heyday. Most enthralling, however, is the delicious dossier of St. Cyr's lovers; although her official husband-count is six, her love affairs--with both men and women--may number into the hundreds. Ironically, she battled loneliness all her days, sinking into despair and heroin addiction toward the end of her life. The story of the burlesque queen with the physique of a goddess makes for great reading, and gossip hounds will delight in rumors that "Gilded Lili" taught Marilyn Monroe many of her best-known sexpot affectations. (Even more intriguing, sources claim that St. Cyr had a clandestine love affair with the blonde bombshell.) DiNardo shows admirable skepticism while reporting the salacious morsels long associated with St. Cyr, sorting the stage siren's real life from the legend that grew around her. Despite the rigors of fame, Lili proves strikingly self-aware--"Years of adulation...spoiled me,'" she admitted--making her as tragic and sympathetic a figure as any of the famously troubled stars who followed. (Oct.) -- Publishers Weekly, November 19, 2007

Recent women's-studies interest in striptease has resuscitated the stars of the form during its mid-twentieth-century heyday, from Bettie Page to Gypsy Rose Lee. One of the biggest star strippers, tall, thin Lili St. Cyr, didn't just dance out of her clothing. She created imaginative variations (e.g., the reverse strip) and settings (bubble baths, Cleopatra and Salome portrayals, etc.) and spiced them with elements of ballet. She realized early that the greatest differences between headliners and chorus dancers were salary and the fact that the stars were usually naked, the chorines usually not. After that, her career path was clear. Although she performed nude for at least part of most appearances, much of her act seems tame today. In the 1940s and 1950s, however, her routines were sufficiently risque to cause legal trouble, and an audience member once sued her for lewdness (one wonders what he thought he was buying a ticket to see). Apparently the first book about St. Cyr since her autobiography, Ma Vie De Stripteaseuse (1982), this is an excellent show-biz study.--Mike Tribby -- Booklist, October 15, 2007

The most popular burlesque star throughout the Forties and Fifties, Lili St. Cyr influenced Marilyn Monroe, performed with Dean Martin, and danced well into her 50s. Author Kelly DiNardo recounts the fascinating life of "the queen of striptease" in the well-researched and superbly written Gilded Lili: Lili St. Cyr and the Striptease Mystique. -- Austin Chronicle, November 15, 20007

About the Author
Kelly DiNardo has written for the Washington Post, Glamour, YM,
TV Guide, USA Today, and many
other publications. She lives in
Washington, D.C.

Most helpful customer reviews

4 of 4 people found the following review helpful.
job well done
By Kara Mae
I've been waiting for a book about Lili St. Cyr since reading her obituary in Life magazine 8 years ago. When I finally heard it was being written, I was cautiously optimistic. I've read many biographies, and they can be overly fond of their subjects, poorly researched, tabloid-esque, or just plain dry. My fears have been assuaged as Kelly DiNardo proves to be professional, with class. She's pulled out all the stops, and you don't have
to be a researcher yourself to pick up on the laborious amounts of work put into this book.
Fellow burlesque fans may tire of the history of the striptease being detailed once again, but it is necessary in hopes of the story reaching a wider audience. The life story of Lili St Cyr certainly deserves such widespread recognition, for the reasons previously mentioned: her rise to fame, clashes with the press, independence, squandered fortune, troubled personality and ultimately dissappointing final years.
Her story is not an entirely happy one. Her choices were not all admirable. So I guess at worst that places her in good company amongst sex-symbols of the century.
DiNardo has sandwiched Lili's life events and choices within the history of the burlesque and striptease industry, as well as the changing social mores that affected it. The book contains a great deal of historical context, perhaps in an attempt to speculate at the true inner motivations and feelings of Lili St. Cyr. For a woman who was not afraid to shock the press with a sordid opinion or two, her true "intimate secrets" will always remain elusive.
The elaborate research Kelly DiNardo has done is sure to remain the best summation of the story and person that was Lili St. Cyr.

1 of 2 people found the following review helpful.
Any library strong in biography and pop culture will relish this lively survey
By Midwest Book Review
GILDED LILI: LILI ST. CYR AND THE STRIPTEASE MYSTIQUE is a top pick for any interested in the last real queen of striptease. From her poverty childhood in a small town to her eventual escape to become one of the top exotic dancers of her times, performing for famous personalities, this examination considers her life and American sexuality and values in general, in a tasteful, ongoing recommendation for any general lending library.

1 of 1 people found the following review helpful.
Gilded Lily
By Kirby Harris
I discovered Lili St. Cyr in an old Cabaret magazine back in the 50s and was captivated by her beauty. She has remained a treasured part of my memory since that time and I wanted to know more about her. Gilded Lili has made her come alive again and now I feel that I have been able to see into her world and know who she really was. This book has made her much more real and interesting to me. Thank you, Kelly.

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Kamis, 20 Februari 2014

~ Ebook Free The God Who Deconstructs Himself: Sovereignty and Subjectivity Between Freud, Bataille, and Derrida (Perspectives in Continental Philosophy

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No topic has caused more discussion in recent philosophy and political theory than sovereignty. From late Foucault to Agamben, and from Guantanamo Bay to the 'war on terror,' the issue of the extent and the nature of the sovereign has given theoretical debates their currency and urgency. New thinking on sovereignty has always imagined the styles of human selfhood that each regime involves. Each denomination of sovereignty requires a specific mode of subjectivity to explain its meaning and facilitate its operation. The aim of this book is to help outline Jacques Derrida's thinking on sovereignty - a theme which increasingly attracted Derrida towards the end of his career - in its relationship to subjectivity. It investigates the late work Rogues: Two Essays on Reason, as not only Derrida's fullest statement of his thinking on sovereignty, but also as the destination of his career-long interest in questions of politics and self-identity. The book argues that in Derrida's thinking of the relationship between sovereignty and subjectivity - and the related themes of unconditionality and ipseity - we can detect the outline of Bataille's adaptation of Freud. Freud completed his 'metapsychology,' by defining the 'economic' nature of subjectivity. In Bataille's hands, this economic theory became a key to the nature of inter-relationship in general, specifically the complex and shifting relationship between subjectivity and power. In playing with Bataille's legacy, Derrida connects not only with the irrepressibly outrageous thinking of philosophy's most self-consciously transgressive thinker, but with the early twentieth century scientific revolution through which 'energy' became ontology. As with so many of the forebears who influenced him, Derrida echoes and adapts Bataille's thinking while radically de-literalising it. The results are crucial for understanding Derrida's views on power, subjectivity and representation, as well as all of the other key themes in late Derrida: hospitality, justice, otherness and the gift.

Sales Rank: #3673623 in Books
Published on: 2010-08-02
Original language: English
Number of items: 1
Dimensions: 5.90" h x .40" w x 8.90" l, .54 pounds
Binding: Paperback
144 pages

Review

Mansfield's work has a specific contribution to make both through thedistinctive focus of its reading and through its insightful analyses.theauthor's scholarship is excellent, showing not only a mastery of therelevant literature, but also a thoughtful and fine-tuned analysis of itscomplexities.-Robyn Horner

A rich and provocative reading, the focus of which contributes a new perspective to the literature on Derrida and deconstruction.-Veronique Foti

About the Author

Nick Mansfield is Professor in Critical and Cultural Studies at Macquarie University in Sydney. He is the author of Masochism: The Art of Power; Subjectivity: Theories of the Self from Freud to Haraway, and Theorizing War: From Hobbes to Badiou.

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