Sabtu, 31 Mei 2014

** Ebook 6 Steps to Songwriting Success: The Comprehensive Guide to Writing and Marketing Hit Songs, by Jason Blume

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6 Steps to Songwriting Success: The Comprehensive Guide to Writing and Marketing Hit Songs, by Jason Blume

This guide presents a step-by-step approach to mastering those key elements consistently found in hit songs: developing successful song structures, writing effective lyrics, composing memorable melodies, producing successful demos, taking care of business and developing persistence.

  • Sales Rank: #1279786 in Books
  • Brand: Brand: Billboard Books
  • Published on: 1999-09-01
  • Released on: 1999-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 7.30" w x 9.54" l,
  • Binding: Hardcover
  • 270 pages
Features
  • Used Book in Good Condition

About the Author
Jason Blume is a staff writer for Zomba Music. He has written songs for the Backstreet Boys, Britney Spears, as well as John Berry’s Top 5 country single, “Change my Mind” and Steve Azar’s country hit “I Never Stopped Lovin’ You.” He also developed and teaches the BMI Nashville Songwriters Workshop. He lives in Nashville, TN.

Most helpful customer reviews

9 of 10 people found the following review helpful.
One of Two Great Songwriting Books!
By M. Simon
Being a complete novice at songwriting and wanting to start NOW!, I bought this book at the same time as "Tunesmith" by Jimmy Webb. I batted 100%. Both are great! Jason Blume's book is a kickstart to jumping right into the process with specific directions and tips. Quick reading and a great reference for "do's and don't's". If you're curious about any aspect of songwriting, it all seems to be there from how to do it through how to sell it and spend the money. Also, the index is pretty thorough which is very important to me. Webb's book, on the other hand, also seems to cover it all but at more length and more depth. (I say "seems" because I haven't finished either book yet). I'm reading it at my leisure and supplementing the Blume reading... and working at my first song.

11 of 12 people found the following review helpful.
Become a pro or improve your craft
By cristiano007
As a beginning songwriter, I found Jason's book to be a godsend for me. It's funny, clear and helpful reading. He gave a lot of hope and freedom for those who aren't musicians because he is the living proof of the diference between musicians and songwriters. Everything is OK: the order of the lessons, the examples, the stories and the exercises. You can read the entire book in few days because is so interesting, but you will comeback once and again, to learn more and more.

15 of 17 people found the following review helpful.
50% INSPIRATION + 50% NETWORKING = 100 % SUCCESS
By middlemoo
Having watched Jason's own professional journey since the mid-80s, I'm overjoyed at his success, and the fact that he shares all of the peaks and valleys of his career so honestly in this book! Jason doesn't sugarcoat anything about the music biz - but he keeps the joy and enthusiasm and LOVE for music intact as he tells what worked for him, what DIDN'T work - and why! You won't find a more honest and revealing look at what it takes to be a hit songwriter today.

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~ Ebook New York: Songs of the City, by Nancy Groce

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New York: Songs of the City, by Nancy Groce

New York: Songs of the City, by Nancy Groce



New York: Songs of the City, by Nancy Groce

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New York: Songs of the City, by Nancy Groce

No American city has inspired more music than the Big Apple. For more than 250 years, composers have sought to capture the sounds, energy, and sophistication of New York life in song. New York: Songs of the City introduces readers to the best-loved songs and most evocative music written about America's premier city. It also explores the significant role music, musicians, and musical life played in shaping and defining how the world imagines life in "The City That Never Sleeps."

The lushly illustrated book features the lyrics from many of the more than 1,000 songs that have been written about New York City. Short samples of music are matched with period photographs of the evolving city and New York-related illustrations taken from sheet music covers and record album jackets. Drawing on years of research, the author serves as an engaging, informative, and highly readable guide for this urban musical tour.

  • Sales Rank: #3232141 in Books
  • Brand: Brand: Billboard Books
  • Published on: 2003-01-01
  • Released on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .47" h x 8.00" w x 10.74" l,
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

From Booklist
The Big Apple deserves exploration "through the poetry of its music" because, Groce says, "no [other] American city has inspired more music." Well, New Orleans might seriously challenge New York in songs per capita, but her point is well taken, considering the roster of music notables who have referenced the big burg, from George M. Cohan to Cole Porter to Billy Joel. Stars aside, Groce emphasizes the songs in such chapters as "Mass Transit in Song" and "Celebrating Broadway," which delightfully detail the tuneful specifics of life in the boroughs. In "New Yorkers in Love" --which doesn't have to be a frightening concept--she recalls such favorites as "Manhattan Serenade" and "She's Got a Great Big Army of Friends Since She Lives Near the Navy Yard." In "Crime and Punishment," she cites "Slaughter on Tenth Avenue," among others. Many beautiful sheet-music covers colorfully illustrate this playful and--with such sidebar fare as a summary of "Brooklyn's Biggest Sex Scandal," involving that nineteenth-century Swaggart, Henry Ward Beecher--informative book. Mike Tribby

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Book is excellent tells history of NYC and the songs that explains the history.

9 of 9 people found the following review helpful.
Top of the heap! A-number one! Now where's the CD?
By Barry A. Popik
Nancy did a wonderful job on this! (Caution--some of my research is mentioned in this book.) I've personally listened to hundreds of obscure but very worthwhile NYC songs. My only quibble is this: where's the CD, so people (unlike us, who don't have constant access to the NYPL's Rodgers & Hammerstein Archive of Recorded Sound) can listen to some of these obscure classics? It's really too bad that Groce didn't consult for Ric Burns' documentary on NEW YORK (which has a weak CD that doesn't include even the George M. Cohan and Frank Sinatra standards). C'mon, Nancy, give us the music! "It's up to you..."

4 of 4 people found the following review helpful.
An absolute delight
By A Customer
Anyone interested in the pasts of music, New York or theater should grab this book. Funny, well-written and meticulously researched, it is also chockful of great sheet music covers from the early 19th to late 20th centuries. Grab this one!

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## PDF Download The Chinese Written Character as a Medium for Poetry: A Critical Edition, by Ernest Fenollosa, Ezra Pound, Jonathan Stalling, Lucas Klein

PDF Download The Chinese Written Character as a Medium for Poetry: A Critical Edition, by Ernest Fenollosa, Ezra Pound, Jonathan Stalling, Lucas Klein

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The Chinese Written Character as a Medium for Poetry: A Critical Edition, by Ernest Fenollosa, Ezra Pound, Jonathan Stalling, Lucas Klein

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The Chinese Written Character as a Medium for Poetry: A Critical Edition, by Ernest Fenollosa, Ezra Pound, Jonathan Stalling, Lucas Klein

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The Chinese Written Character as a Medium for Poetry: A Critical Edition, by Ernest Fenollosa, Ezra Pound, Jonathan Stalling, Lucas Klein

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding-it is fair to say, his appropriation-of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

  • Sales Rank: #503951 in Books
  • Published on: 2010-11-01
  • Released on: 2010-08-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.90" h x .80" w x 9.00" l, 1.14 pounds
  • Binding: Paperback
  • 256 pages

Review

How can we come to a new understanding of Chinese classical literature when our inherited view of it is so powerfully shaped and conditioned by a 'strong misreading,' which is a vital part of our own poetic language? This question afflicts Haun Saussy in his extraordinary introduction to a new critical edition of The Chines Written Character as a Medium for Poetry, which presents both the edited and original versions of Fenollosa's essay.


Scholarly edition that combines the first full publication of Fenollosa's essay as he wrote it, along with the 1919 version of the essay as altered by Ezra Pound.


About the Author

ERNEST FRANCISCO FENOLLOSA (1853-1908) taught at the Imperial University of Tokyo. In 1890 he became Asian curator at the Boston Museum of Fine Arts.

EZRA POUND (1884-1972) was a leading Modernist poet and the driving force behind Imagism and Vorticism.

HAUN SAUSSY is Bird White Housum Professor of Comparative Literature at Yale University.His books include The Problem of a Chinese Aesthetic and Great Walls of Discourse and Other Adventures in Cultural China.

JONATHAN STALLING is Assistant Professor of English at the University of Oklahoma. He is a co-editor of The Chinese Written Character as aMedium for Poetry: A Critical Edition (Fordham).

LUCAS KLEIN is a graduate student in East Asian Languages and Literatures at Yale University.

Most helpful customer reviews

11 of 13 people found the following review helpful.
Presents Pound's own edited version of Fenollosa's essay including notes and plates
By Midwest Book Review
Influences on the foundation American poetics have long quoted Ernest Fenollosa's essay on the Chinese written language which was first published in 1919 by the legendary Ezra Pound. "The Chinese Written Character as a Medium for Poetry" newly re-edited by the team of Haun Saussy, Jonathan Stalling and Lucas Klein presents Pound's own edited version of Fenollosa's essay including notes and plates. This edition showcases two obscured but important views: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This technical style book, enhanced with the inclusion of photos, explanations, notes and discussion, includes the first full publication of Fenollosa's essay as he wrote it. A scholarly review of Fenollosa's essay as edited and originally presented is a especially recommended to the attention of scholars and poets. Also highly recommended for academic and private reference library collections on the multiple sources of American Modernist poetry, "The Chinese Written Character as a Medium for Poetry" is an impressive work of scholarship and an informative work commended to non-specialist general readers with an interest in the subject of Chinese writings and poetry.

4 of 4 people found the following review helpful.
Blurry ideograms in Kindle version
By Toph
Before downloading the kindle version, be sure to try a sample. I found the Chinese characters in the sample to be blurry and difficult to read. This problem needs to be addressed before the kindle version is worth buying.

1 of 1 people found the following review helpful.
Chinese characters: meanings or sounds?
By misteraaron
Anyone who has studied CJK orthography (Chinese, Japanese, old Korean writing systems) will likely enjoy reading this book. Fenollosa and Pound didn't quite get things right, about a century ago, by overemphasizing the form of the Chinese characters and what meanings were embedded. Well, they look pretty silly (moreso Pound's bombastic commentary) in a lot of what they wrote, but it is understandable: it is hard to not ascribe *meanings* to the characters (if you come from an alphabetical background). However, many of the modern linguists like George Kennedy and more recently Marshall J. Unger have seemingly made it their duty to attack any discussion on the semantic functions of the characters. Though I agree with Kennedy and Unger on the primacy of their phonetic function, I believe they overreact, and it is nice to see contemporary scholars like Saussy et al. revisiting Fenollosa's musings for what they are: a contemplative, incomplete draft on the nature of CJK writing.

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Kamis, 29 Mei 2014

> Download Ebook Categories of the Impolitical (Commonalities (FUP)), by Roberto Esposito

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Categories of the Impolitical (Commonalities (FUP)), by Roberto Esposito

The notion of the "impolitical" developed in this volume draws its meaning from the exhaustion of modernity's political categories, which have become incapable of giving voice to any genuinely radical perspective. The impolitical is not the opposite of the political but rather its outer limit: the border from which we might glimpse a trajectory away from all forms of political theology and the depoliticizing tendencies of a completed modernity.

The book's reconstruction of the impolitical lineage-which is anything but uniform-begins with the extreme conclusions reached by Carl Schmitt and Romano Guardini in their reflections on the political and then moves through a series of encounters between several great twentieth-century texts: from Hannah Arendt's On Revolution to Hermann Broch's The Death of Virgil, to Elias Canetti's Crowds and Power; from Simone Weil's The Need for Roots to Georges Bataille's Sovereignty to Ernst Junger's An der Zeitmauer.

The trail forged by this analysis offers a defiant counterpoint to the modern political lexicon, but at the same time a contribution to our understanding of its categories.

  • Sales Rank: #6284723 in Books
  • Published on: 2015-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .90" w x 9.00" l, .0 pounds
  • Binding: Hardcover
  • 280 pages

Review

Categories of the Impolitical is an impressive attempt to think about politics beyond sovereignty and against political theology. Through clear and sophisticated readings of crucial yet often neglected political thinkers of the twentieth century like Weil, Bataille, Voegelin, and Broch, this book prepares the groundwork for Esposito s continuing exploration of the possibility of community outside of representation and of politics without transcendence. An indispensable work for anyone interested in Italian theory. --Miguel Vatter, University of New South Wales


"The limbic Esposito is laid bare by his translator. This luculent rendition of Categories of the Impolitical provides a fluent and accessible introduction to Esposito's most intriguing and challenging work. Here, finally, in incisive and poetic prose, in a properly humanistic and engaged tenor, Esposito's contropiano, his counterplan of the impolitical and non categorial is made available in partibus infidelium, which is to say, in the anglophone world."--Peter Goodrich, Cardozo School of Law


"Categories of the Impolitical is an original and intense meditation on the central void of our historical epoch. The impolitical, beyond any number of misapprehensions, is the always already political refusal to engage in mystification in the face of nihilism. Esposito´s book relentlessly traces and names the suspension and withholding of political sonambulism against every kind of political theology. It is a story, unfinished and unfinishable, about the improbable awakening that a certain type of sleepwalker--the intellectual--simultaneously desires and abhors, and for the most part avoids."--Alberto Moreiras, Texas A&M University


About the Author

Roberto Esposito teaches contemporary philosophy at the Italian Institute for the Human Sciences in Naples. His books translated into English include Terms of the Political: Community, Immunity, Biopolitics (Fordham); Bios: Biopolitics and Philosophy; Communitas: The Origin and Destiny of Community; and Immunitas: The Protection and Negation of Life.

Connal Parsley is a Lecturer in Law at Kent Law School University of Kent.

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* Download Ebook At Freedom's Limit: Islam and the Postcolonial Predicament, by Sadia Abbas

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At Freedom's Limit: Islam and the Postcolonial Predicament, by Sadia Abbas

The subject of this book is a new "Islam." This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained--indeed, it
is a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out.

At this discursive site are many metonyms for Islam: the veiled or "pious" Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question "How do we free ourselves from freedom?" Again and again, freedom is imagined as Western, modern, imperial--a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom's other.

At Freedom's Limit is an intervention into current debates regarding religion, secularism, and Islam and provides a deep critique of the anthropology and sociology of Islam that have consolidated this formation. It shows that, even as this Islam gains increasing traction in cultural production from television shows to movies to novels, the most intricate contestations of Islam so construed are to be found in the work of Muslim writers and painters.

This book includes extended readings of jihadist proclamations; postcolonial law; responses to law from minorities in Muslim-majority societies; Islamophobic films; the novels of Leila Aboulela, Mohammed Hanif, and Nadeem Aslam; and the paintings of Komail Aijazuddin.

  • Sales Rank: #4841207 in Books
  • Published on: 2014-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x .90" w x 9.10" l, 1.10 pounds
  • Binding: Hardcover
  • 272 pages

Review

"This is the first book to deal with the interlinked phenomena of Islamic radicalism and Islamophobia by exiting the apologetic discourse to which left-liberal critique has largely been reduced. Re-deploying the Eurocentric terms that inform so much scholarship on the issue, Abbas shows how her own allies on the left have ended up focussing on a severely 'Protestant' kind of Islam, in contrast to which she excavates a 'Baroque' auto-critique as part of a Muslim 'Counter-Reformation.'"-Faisal Devji, St. Anthony's College, Oxford University


"Sadia Abbas has produced a watershed study that promises to be a landmark in the critical analysis of the nexes between empire, Islam, gender and culture. This book provides a roadmap for a new generation of scholarship that matches the spirit and urgencies of the time."-Paul Amar, University of California, Santa Barbara


"Once in a while, a book comes along with the force of a gale and shakes the carefully laid foundations of an academic field or discourse. This is such a book. A compelling and erudite tour-de-force that relentlessly examines the historical amnesias and political erasures at the center of contemporary popular culture and critical theory constructions of the Muslim subject, At Freedom's Limit powerfully reminds us that radical critique is rooted in complex histories of identity and struggle, both local and global. Incisive, passionate and peppered with scintillating humor, Abbas's book will surely change the face of postcolonial studies."-Samah Selim, Rutgers University


"Sadia Abbas is a virtuosa of cultural and literary criticism. She has a remarkable ability to expose essentialist and exclusivist prejudices that hide in discourses repudiating the essentialism and exclusivism of others. Uncompromising in the vindication of all the oppressed, including the victims of victims, this book sharpens both our critical faculty and our sense of justice."-Gilbert Achcar, Professor at the School of Oriental and African Studies (SOAS), University of London


"This is a thoughtful and provocative book which illuminates some of the central questions of our times . It is a book to be carefully read as with an astute intelligence it challenges many conventional ideas about what might constitute freedom ."-Anthony Bogues, Brown University


"What possibilities exist in and as a function of the new Islam that Sadia Abbas boldly, rigorously announces and describes? What new understandings of freedom emerge from the delineation and disruption of political theology's limits that she accomplishes? In vivid analyses of the new global iconographies through which the varieties of Muslim experience would be represented and regulated, Abbas offers a poetics supple enough to attend to the painful complexities of the postcolonial condition and subtle enough to discern, in those complexities, what remains of anticolonial aspiration. At Freedom's Limit is unique, powerful and necessary."--Frederick C. Moten, Duke University


About the Author

Sadia Abbas is Assistant Professor of English at Rutgers University, Newark.

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0 of 0 people found the following review helpful.
Enlightening and Stirring Feminism
By Dr. J V. Slavin
An insight by one of America's leading intellectuals into the struggle for social justice by women in the Islamic world.

2 of 2 people found the following review helpful.
This is such a fine book and a welcome respite from some of the ...
By IsabellaC
This is such a fine book and a welcome respite from some of the Cold Waresque binarisms of contemporary political theory. I really admire the lucidity and subtlety of Abbas' writing - apart from her political acumen, she is a writer's writer.

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Senin, 19 Mei 2014

@ PDF Ebook Truer Than True Romance: Classic Love Comics Retold, by Jeanne Martinet

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Truer Than True Romance: Classic Love Comics Retold, by Jeanne Martinet

  • Sales Rank: #1416676 in Books
  • Published on: 2001-06
  • Original language: English
  • Number of items: 1
  • Dimensions: .34" h x 7.76" w x 10.00" l,
  • Binding: Paperback
  • 112 pages

From Library Journal
In this creative partnering between the old and the new, Martinet (The Art of Mingling) writes contemporary love stories using the settings and illustrations from DC's romance comics from the 1940s through the 1970s. In Martinet's world, a 1950s story called "Loving the Wrong Man," originally involving an affair with a married man, might be rewritten as "Loving a Gay Man," for example. Others include "My Heart Said Yes, but My Therapist Said No!" and "Too Dumb for Love!" The collection is uneven, as some of the retellings work contemporary social mores into their fabric better than others. Still, this is a book with plenty of appeal for older teens and adults. A good purchase for libraries with strong humor collections. Stephen Weiner, Maynard P.L., MA
Copyright 2001 Reed Business Information, Inc.

From Booklist
*Starred Review* Martinet gave a grown-up gander to the romance comic books she devoured when she was a kid. Their artwork still seemed serviceable enough, but their scripts--in which slim, stacked, dewy-eyed ingenues always lassoed the loves of their lives, despite the wiles of bad-girl rivals--struck her as, well, dorky. So she rewrote them. What was "Stolen Dreams" became "I Hate My Hair" (our heroine has a supershort cut). "Love a la Carte" became "The Job from Hell" (the teary working-girl lead, one of a row of typists, moans about her boss: "Typewriters instead of computers! Why doesn't she just shoot us?!"). "Heartbreak," in which the love interest is first seen with his whole head bandaged, became "What Are You Saying?!" ("Mmph, mmph, mmph . . . ," in case you were wondering). In those and seven other stories, Martinet reacts to facial expressions, clothing, objects (like the typewriters), and even unusual colors in the drawings, which date from 1955-71, and creates hilarious, hip scenarios that view romance with the jaundiced eyes of experience and plenty of with-it wit. Mock advice columns, such as "Dee Pressen, Love Counselor," continue the stories' zaniness. It's just highly unlikely that any other book this year will be funnier. Ray Olson
Copyright © American Library Association. All rights reserved

Review
"It's just highly unlikely that any other book this year will be funnier." -- Booklist, July 2001 **Starred Review**

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7 of 7 people found the following review helpful.
Took me back to the old days
By Sally Quick
This was a delightful book, especially, if like me, you grew up on Love Comics. I read those probably from around 1958 - 1962. And, like the author said, that's why I'm screwed up about relationships today! Anyway, this book just made me laugh out loud through the whole thing. I especially enjoyed the one where the girl was in secretarial school, but it's been switched to a writing school, and she falls for the teacher. I loved the line of the main female character, "Doesn't she know we're all going to die"? That's what these characters needed to hear 40 years ago! Give up the scholop and get real! LOL I also liked that the author summarized the original plot, to put it into perspective for us. Very, very much fun, and the comics are beautifully copied, especially the men's blue hair, with their floating heads above the women's beds!

0 of 0 people found the following review helpful.
Five Stars
By David Asleson
A+++ a fun read.

10 of 10 people found the following review helpful.
Romance and Laughter
By Paul Andrew
This is one of the funniest books I've ever read. It actually made me laugh out loud. The author has taken those dopey old romance comics (beautiful color artwork, though) and completely transformed them with her hilarious new dialogue. So you have all this great old artwork from the era of "Leave It To Beaver" and "Gidget" beautifully mixed with dialogue that would be right at home on "Sex And The City." The effect is sort of like that Woody Allen movie "What's Up Tiger Lilly" or maybe "Mystery Science Fiction Theater" where she comments on the old stories and updates them at the same time. Pure genius! The romance columns are a riot too; my favorite columnist is Dee Pressen, who gives VERY pesimistic advice. Please turn this author loose on more romance comic book stories!!

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Minggu, 18 Mei 2014

? Fee Download Souled American: How Black Music Transformed White Culture, by Kevin Phinney

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Souled American: How Black Music Transformed White Culture, by Kevin Phinney

From Jim Crow to Eminem, white culture has been transformed
by black music. To be so influenced by the boundless
imagination of a race brought to America in chains sets
up a fascinating irony, and Souled American, an ambitious
and comprehensive look at race relations as seen through
the prism of music, examines that irony fearlessly—with
illuminating results. Tracing a direct line from plantation field
hollers to gangsta rap, author Kevin Phinney explains how
blacks and whites exist in a constant tug-of-war as they
create, re-create, and claim each phase of popular music.
Meticulously researched, the book includes dozens of exclusive
celebrity interviews that reveal the day-to-day struggles
and triumphs of sharing the limelight. Unique, intriguing,
Souled American should be required reading for every
American interested in music, in history,
or in healing our country’s troubled
race relations.



• Combines social history and pop culture
to reveal how jazz, blues, soul, country,
and hip-hop have developed


• Includes interviews with Ray Charles,
Willie Nelson, B. B. King, David Byrne,
Sly Stone, Donna Summer, Bonnie Raitt,
and dozens more


• Confronts questions of race and finds
meaningful answers


• Ideal for Black History Month

  • Sales Rank: #1564829 in Books
  • Brand: Brand: Billboard Books
  • Published on: 2005-09-01
  • Released on: 2005-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.30" w x 6.30" l,
  • Binding: Hardcover
  • 352 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Texas journalist Phinney's first book traces the history of race relations as seen through commingling musical crossovers and a parade of personalities: from Al Jolson to Louis Jordan, Billie Holiday to Bonnie Raitt, Zip Coon to Pat Boone. This comprehensive coverage spans all genres, including blues, country, gospel, jazz, R&B, ragtime, rock and rap. With blackface minstrelsy, "whites opened a portal to their own hidden creative impulses," and Phinney explores this theme as he covers "white men in transparent blackface" (Eminem), "multi-culti chanteuses" (Mariah Carey) and "sepia Sinatras" (Johnny Mathis). Anecdotes abound, and many music history milestones punctuate Phinney's probing critical commentary. Analyzing Nat King Cole's singing style and how it made him "one of the first modern artists to 'cross over' from black to white popularity," Phinney recounts how Cole, only months before the premiere of his 1956–1957 NBC television show, was assaulted onstage in Birmingham, Ala., by five white men. Phinney writes with verve and vitality, articulately charting hundreds of black and white intersections in this definitive roadmap to racial rhythms. 45 b&w photos. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Kevin Phinney, an
entertainment
journalist based in
Austin, has written
for the Austin American-
Statesman,
Premiere magazine,
and the Hollywood
Reporter. Currently, he
is cohost of KGSRFM’s
morning drive-time program, Kevin & Kevin.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Highly informative and entertaining
By Robley King
After a passing acquaintance with the author Kevin Phinney, I picked up his book, "Souled American". I thought the subject of how black music transformed white culture was intriguing, and was curious to see how Phinney made his argument.

While I began as a casual reader, I quickly became riveted by the scope and detail of the book. It's scholarly style, informative yet stimulating and accessible, managed to beckon the dormant music lover in me. To more fully understand the history of black music, I began to collecting songs from the many eras and genres Phinney chronicles, from gospel, ragtime, and jazz, to swing, blues, rock & roll, rap and hip-hop. I found that this combination made the book roar to life, and made the study of black music completely absorbing.

Phinney, a professional music critic and journalist, reports the history of black music in a concise style and provides impressive detail, yet manages to entertain with pertinent stories and fascinating interviews. Names, dates, and places are plentiful, but so are aspirations, emotions, and hard truths. Black artists, at times withstanding tremendous hardships, at times achieving awesome heights, are afforded great respect by the author. He waxes neither over-sentimental when relating sad stories, nor sycophantic when describing victories.

Phinney, deftly and bravely, dons many hats writing this book. In a country where relations between races is so often that dreaded third rail, he manages to ride that rail for the whole book. He includes distasteful, sometimes horrendous words and images when he must, never taking the easy way out. His reporting, truthful and sincere, tells of the theft of many black artists innovations and creations by a largely corporate, largely white, America. Phinney never dwells on disparities or justices, but illustrates these conditions with the book's most passionate, most fiery prose, and champions fair play.

Phinney also appears to take on roles as historian, sociologist, musicologist, tour-guide, and educator in "Souled American". While presenting an impressive overview of African-American music, of artists and their works, he provides context, tells of an ever-changing America through more than three turbulent centuries. Phinney is a master at setting a scene, introducing the players, and then telling an amazing, moving true story. Sharing center stage with the people is their music. The crafting and evolution of song is paramount in this book.

The songs are the heart of "Souled American", and the author introduces them by the hundreds. Crafted by experts with rare talent and passion, the profusion of black music in America is awe-inspiring, as is the breadth of Phinney's cross-sample. This is wherein the real magic of the book lies. Reading of the history of a musician, and the genesis of a particular song, makes listening to that song a powerful, extraordinary experience. I managed to collect several hundred songs while reading this incredible guide. Always with my ipod or laptop at hand (I heartily recommend Rhapsody`s comprehensive online music service), I would stop to listen to the most important songs. Many I'd nearly forgotten, many were old favorites, and many became new favorites. Some songs I didn't care for but I gave them a fair shot. This made the going slow, but oh so wonderful.

I picked up "Souled American" as a casual reader, with only passing interest in the subject of African-American music. I was delighted to find myself transformed into a student of black music, with a new understanding and a new passion for the art, in it's myriad forms. I now am beginning to understand how much influence black music has had on American culture, and how much influence it has had on my own life. I can further state that this book, this odyssey, has renewed my love for music. For that reason, above all others, I can say that Kevin Phinney's "Souled American", is a truly fine book. I give it my highest recommendation.

0 of 0 people found the following review helpful.
Five Stars
By C. Haskins
Great!

2 of 6 people found the following review helpful.
Wow and we have Kevin in Austin
By TerraTerrain
I have been listening to Kevin for years. Was sad when he went off to write this book. He was gone way too long but the book was worth the wait. Not only have I learned so much from listening to Kevin and Kevin every morning but now to read the book and all the work and research that went into it. It belongs with my C/D's so I can refer to it when those nagging questions arise. Great work of art and I loved the conversation with Bonnie R.

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** Get Free Ebook I Must be a Part of this War: A German American's Fight against Hitler and Nazism (World War II: The Global, Human, and Ethical Dimension)

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I Must be a Part of this War: A German American's Fight against Hitler and Nazism (World War II: The Global, Human, and Ethical Dimension)



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I Must be a Part of this War: A German American's Fight against Hitler and Nazism (World War II:  The Global, Human, and Ethical Dimension)

Kurt Frank Korf's story is one of the most unusual to come out of World War II. Although German-Americans were America's largest ethnic group, and German-Americans-including thousands of native-born Germans-fought bravely in all theaters, there are few full first-person accounts by German- Americans of their experiences during the 1930s and 1940s.Drawing on his correspondence and on oral histories and interviews with Korf, Patricia Kollander paints a fascinating portrait of a privileged young man forced to flee Nazi Germany in 1937 because the infamous Nuremburg Laws had relegated him to the status of second-degree mixed breed(Korf had one Jewish grandparent).Settling in New York City, Korf became an FBI informant, watching pro-Nazi leaders like Fritz Kuhn and the German-American Bund as they moved among the city's large German immigrant community. Soon after, he enlisted in the U.S. Army, serving in Germany as an intelligence officer during the Battle of the Bulge, and as a prisoner of war camp administrator. After the war, Korf stayed on as a U.S. government attorney in Berlin and Munich, working to hunt down war criminals, and lent his expertise in the effort to determine the authenticity of Joseph Goebbels's diaries. Kurt Frank Korf died in 2000.Kollander not only draws a detailed portrait of this unique figure; she also provides a rich context for exploring responses to Nazism in Germany, the German-American position before and during the war, the community's later response to Nazism and its crimes, and the broader issues of ethnicity, religion, political ideology, and patriotism in 20th-century America. Patricia Kollander is Associate Professor of History at Florida Atlantic University. She is the author of Frederick III: Germany's Liberal Emperor. I Must Be a Part of This Waris part of her ongoing research into the experiences of some fifteen thousand native-born Germans who served in the U.S. Army in World War II. John O'Sullivan was Professor of History at Florida Atlantic University.

  • Sales Rank: #3020586 in Books
  • Brand: Brand: Fordham University Press
  • Published on: 2005-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x .80" w x 8.90" l, 1.32 pounds
  • Binding: Hardcover
  • 272 pages
Features
  • Used Book in Good Condition

Review
"A well-written, well-researched biography."

About the Author

PATRICIA KOLLANDER is Associate Professor of History at Florida Atlantic University. She is the author of Frederick III: Germany's Liberal Emperor. I Must Be a Part of This Waris part of her ongoing research into the experiences of some fifteen thousand native-born Germans who served in the U.S. Army in World War II.

JOHN O'SULLIVAN was Professor of History at Florida Atlantic University.

Most helpful customer reviews

3 of 3 people found the following review helpful.
The engaging story of Kurt Frank Korf's informant status after his move to America in 1937 brought him to work for the FBI
By Midwest Book Review
"I Must Be A Part Of This War": A German American's Fight Against Hitler And Nazism by Patricia Kollander (with the help of John O'Sullivan) is the engaging story of Kurt Frank Korf's informant status after his move to America in 1937 brought him to work for the FBI, feeding them the information he was continually obtained from German-American pro-Nazi leaders such as Fritz Kuhn and German-American Bund during their progressively increasing pre-war influence with New York's German immigrant community. "I Must Be A Part Of This War" details happenings and occurrences rarely recognized in historical references for World War II on the American homefront, as well as a potentially epic tale of Korf's incredible significance in the great war against Nazism in America. "I Must Be A Part Of This War" is a unique and seminal addition to academic and community library 20th Century American History collections.

3 of 4 people found the following review helpful.
Great Historical Read
By Uncle Mark
Although the author is a history professor, "I Must Be..." is thoroughly enjoyable historical account that is fascinating, entertaining and educational. WWII and history buffs should not miss this book! Tightly researched but thoroughly readable by the layperson. A broad audience including anyone interested in American or German history, fascinating life stories and complex love stories will treasure this book.

1 of 1 people found the following review helpful.
A German Fights to Free Germany
By C. Macauley
This book is a wonderful history of a German-American who fought in WWII: Kurt Franz Korf, a young attorney from Dusseldorf, fled persecution in Germany in 1937 (his grandmother was Jewish), went to the US and eventually enlisted in the US Army. Because of his fluency in German he was recruited for Military Intelligence and was assigned to the 97th Infantry Division during the last months of the war. His job was to gather and analyze intelligence and to capture and interrogate German soldiers and spies. He later used his legal background to aid in the prosecution of German war criminals at Nuremburg.

Based on extensive interviews with Korf and on mountains of documents that Korf had collected over the years, plus meticulous research by the authors, this is a personal story embedded in a richly portrayed historical context. Kollander and O'Sullivan are interested in what it takes for a man to go to war against his own country, and what conflicts this creates, but Korf is clear on his moral choices and, as a highly-educated German (he had earned a doctorate in law before leaving Germany) he understood very well what he was doing.

The story is fascinating, well-written and informative, so that soon you are invested in Korf's thoughts and feelings, his motives and his drive to fight for German freedom and peace. He is, nonetheless, thoroughly American and proud to call the US his home. Altogether this is a surprising psychological profile wrapped in an account of one of history's fiercest struggles, and it serves as a superb source on the war and its aftermath.

My father served in the 97th CIC Detachment under Lt. Korf and so I was interested in this book from a personal point of view.

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Jumat, 16 Mei 2014

>> Ebook Download Draw 50 Beasties: The Step-by-Step Way to Draw 50 Beasties and Yugglies and Turnover Uglies and Things That Go Bump in the Night, by Lee J

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Draw 50 Beasties: The Step-by-Step Way to Draw 50 Beasties and Yugglies and Turnover Uglies and Things That Go Bump in the Night, by Lee J

"With its popular subject of imaginative  monsters and other nightmare inhabitants, [this]  will be a sure-fire circulator." --  Publisher's Weekly.

  • Sales Rank: #1194778 in Books
  • Published on: 2013-02-12
  • Released on: 2013-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.83" h x .18" w x 8.49" l, .43 pounds
  • Binding: Paperback
  • 64 pages

About the Author
LEE J. AMES began his career at Walt Disney Studios and taught at the School of Visual Arts in New York City and at Dowling College on Long Island, New York. He directed his own advertising agency and illustrated over 150 books, ranging from preschool picture books to postgraduate textbooks. A prolific author of more than 30 Draw 50 books, Lee Ames died at the age of 90 in June 2011.

Excerpt. © Reprinted by permission. All rights reserved.
"Leslie can draw the best beastie I ever saw!" Such peer acclaim and encouragement generate incentive. Contemporary methods of art instruction (freedom of expression, experimentation, self-evaluation of competence and growth) provide a vigorous, fresh-air approach for which we must all be grateful.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Beastly OK!
By Winslow Homer
This is a good reference book for anyone specifically looking for ideas of cartoon creatures. A great book for an art teacher's library.

0 of 0 people found the following review helpful.
One of the best!
By Edward
Drawing is amazing & this book can get you to a head start. The steps are great and capable to understand.

0 of 0 people found the following review helpful.
Was not what I thought.
By Dale B.
I was looking for ideas to make softies but this was not what I had in mind. It is more for illustrators.

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Draw 50 Beasties: The Step-by-Step Way to Draw 50 Beasties and Yugglies and Turnover Uglies and Things That Go Bump in the Night, by Lee J PDF
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