Sabtu, 28 Juni 2014

## PDF Download War after Death: On Violence and Its Limits (Modern Language Initiative), by Steven Miller

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War after Death: On Violence and Its Limits (Modern Language Initiative), by Steven Miller

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War after Death: On Violence and Its Limits (Modern Language Initiative), by Steven Miller

War after Death considers forms of violence that regularly occur in actual wars but do not often factor into the stories we tell about war, which revolve invariably around killing and death.

Recent history demonstrates that body counts are more necessary than ever, but the fact remains that war and death is only part of the story--an essential but ultimately subordinate part. Beyond killing, there is no war without attacks upon the built environment, ecosystems, personal property, artworks, archives, and intangible traditions.

Destructive as it may be, such violence is difficult to classify because it does not pose a grave threat to human lives. Nonetheless, the book argues that destruction of the nonhuman or nonliving is a constitutive dimension of all violence--especially forms of extreme violence against the living such as torture and rape; and it examines how the language and practice of war are transformed when this dimension is taken into account.

Finally, War after Death offers a rethinking of psychoanalytic approaches to war and the theory of the death drive that underlies them.

  • Sales Rank: #5256150 in Books
  • Published on: 2014-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.20" h x .90" w x 9.10" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

Review

"Steven Miller's book War After Death is a truly impressive piece of critical writing. Indeed, this book is one of the most intellectually rich, trenchant and engaging works of criticism that I have read over the last decade."-Elissa Marder, Emory University


"In the long tradition and ever growing sea of works that have linked 'language, literature, and war,' this is a strikingly original work that attends to the import of that phrase with exquisite responsibility."-Gil Anidjar, Columbia University


About the Author

Steven Miller is Associate Professor of English at the University at Buffalo, the State University of New York. He is the translator of Catherine Malabou's The New Wounded: From Neurosis to Brain Damage (Fordham).

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~~ Ebook The Tortoise and the Hare: An Aesop Fable (Reading Rainbow Books), by Janet Stevens

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The Tortoise and the Hare: An Aesop Fable (Reading Rainbow Books), by Janet Stevens

Tortoise proves he is a formidable opponent in this comic adaptation of a classic tale.

  • Sales Rank: #55119 in Books
  • Brand: Holiday House
  • Model: 953917
  • Published on: 1985-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x .10" w x 8.20" l, .23 pounds
  • Binding: Paperback
  • 32 pages

From School Library Journal
PreSchool-Grade 1AMiles's introduction informs parents that "old stories" are good for new readers because of their use of familiar story lines and repetitive words. The author then uses these techniques in her retelling of this classic Aesop fable, using only dialogue, keeping the words to a minimum, and repeating certain phrases throughout. While the tale itself remains unchanged, this version has a modern bent to it, expressed primarily through the cartoon illustrations. All of the animals are dressed in colorful clothing, except for Tortoise, who wears nothing but his shell and a pair of sneakers. They all sport letters on their chests (Tortoise wears a 'T,' Hare an 'H,' and Bear a 'B") except for Fox, who has his whole name on his shirt. These cleverly placed clues will help children remember what letter each animal's name starts with. Amusing details include Tortoise's little round glasses perched on the end of his nose and the banners that cheer on the racers. A great choice for beginning readers to tackle on their own.ADina Sherman, Brooklyn Children's Museum, NY
Copyright 1998 Reed Business Information, Inc.

From Booklist
Gr. 1. Miles does a fine job of turning Aesop's fable into a story that beginners can enjoy reading. Sentences are short ("one step, another step") but work beautifully. When the hare falls asleep, Miles only needs one word of text to explain the situation: "Zzzzz." Pen-and-watercolor artwork adds to the sprightly package. A fun entry into the Starting to Read series. Ilene Cooper

From Kirkus Reviews
The well-known fable is economized in a Ready-to-Read edition from Miles (see review, above); the events of the race now take place entirely in dialogue, sometimes in a Dick-and-Jane staccato. Quotation marks and speech bubbles have been abandoned in favor of brief blocks of text placed in proximity to each animal speaker. Once the race begins, it's not long before Hare settles into a nap; a night and a day later, bespectacled, sneaker-wearing Tortoise is still plodding along, slow but steady, coaching himself--``One step, another step. One step and another'' until he takes first place. Meisel's whimsical, uncluttered line drawings fit the format well, bright enough to attract attention and to express action. Larger animal characters sport T-shirts with identifying letters--H for Hare, B for Bear- -while a cheering section of smaller creatures displays banners proclaiming ``Yippee'' and ``Hooray,'' highlighting the tale with humor. (Picture book. 5-7) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

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0 of 0 people found the following review helpful.
Steady and Sure Wins Rewards
By Helen Winton
I learned about this particular edition while watching a lesson in Dave Ramsey's Financial Peace University course at church. His closing comment was, "And the tortoise always wins."

I learned about this particular edition while watching a lesson in Dave Ramsey's Financial Peace University course at my church. Dave's closing remark was, "And the tortoise always wins."

This fable has an excellent lesson for everyone to learn: slow and steady always crosses the finish line. It's important not to give up. It's also important to remember that when we get lazy thinking that the project isn't worthy of our time and attention, someone else could easily step in and complete it while we're taking the proverbial "nap".

Dave mentioned during the lesson that he had to read the fable several times before he finally "Got it." It's a lesson well-worth remembering.

I would highly recommend every family get this book and instill its virtues with children at a very young age.

I think Dave mentioned he had to read the book several times before he finally "Got it."

You won't be sorry if you buy this book with these delightful illustrations.

0 of 0 people found the following review helpful.
Five Stars
By Kimberly Miller
I have always liked this story. I will now share it with a new generation of children.

0 of 0 people found the following review helpful.
Five Stars
By moses medina
the tortoise wins everytime

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Sabtu, 21 Juni 2014

? Ebook Free Carnal Hermeneutics (Perspectives in Continental Philosophy (FUP))From Fordham University Press

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Carnal Hermeneutics (Perspectives in Continental Philosophy (FUP))From Fordham University Press

Building on a hermeneutic tradition in which accounts of carnal embodiment are overlooked, misunderstood, or underdeveloped, this work initiates a new field of study and concern.

Carnal Hermeneutics provides a philosophical approach to the body as interpretation. Transcending the traditional dualism of rational understanding and embodied sensibility, the volume argues that our most carnal sensations are already interpretations. Because interpretation truly goes "all the way down," carnal hermeneutics rejects the opposition of language to sensibility, word to flesh, text to body.

In this volume, an impressive array of today's preeminent philosophers seek to interpret the surplus of meaning that arises from our carnal embodiment, its role in our experience and understanding, and its engagement with the wider world.

  • Sales Rank: #1262170 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x 1.00" w x 8.80" l,
  • Binding: Paperback
  • 408 pages

Review

"In response to the apparent 'non-relevance' of traditional phenomenological hermeneutics, must those scholars who continue to cling to a more 'conservative' perspective capitulate to the various nihilisms, to the critiques of correlationalism, or to the solid reductionism of speculative realism? Richard Kearney and Brian Treanor answer with an insistent 'No!' Indeed, they seek to infuse the debate with a dialogical energy that will keep the process moving and flesh renewed. That would not be a bad embodiment of a carnal hermeneutics."--B. Keith Putt, Samford University


"Carnal Hermeneutics brings together essays from some of the most prominent philosophers writing today. These excellent essays challenge us to think through the body in every sense. This collection makes an important contribution to philosophy of embodiment. The very idea of carnal hermeneutics is breath-taking."--Kelly Oliver, Vanderbilt University


"Certain dualities, spirit vs. body, idea vs. sensation, self vs. the world, etc., have long dominated, often injuriously, much Western thinking. In this remarkable volume, the editors, along with some of the most important voices in the Continental tradition, allow hermeneutics to go 'all the way down' and in so doing move beyond these dualities by taking more seriously the 'surplus of meaning arising from our carnal embodiment.' What emerges is a reenergized and radically embodied or 'incarnational' hermeneutics that opens new vistas for religious, environmental, and artistic thinking. This is an important and consequential collection."--Jason M. Wirth, Seattle University


"Richard Kearney and Brian Treanor have assembled a remarkable collection of essays by important recent philosophers devoted to the surprising intersection of 'carnal' and 'hermeneutics'--the body as interpreter as well as interpreted. The British, French and American authors explore the existential, environmental and religious implications of a philosophy of the body."--David Carr, Emory University


About the Author

RICHARD KEARNEY is Charles B. Seelig Professor of Philosophy at Boston College.

Brian Treanor is Professor of Philosophy and Director of Environmental Studies at Loyola Marymount University.

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1 of 1 people found the following review helpful.
good but not great
By simon
good but not great: Richard Kearney's scene-setting is followed by some retrospective (and representative) discipline-rendering; the impulse to ground carnal hermeneutics rather than run with it, to move or dance with it, makes for a less than satisfying carnival.

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Jumat, 20 Juni 2014

^^ PDF Ebook Sculpting the Figure in Clay: An Artistic and Technical Journey to Understanding the Creative and Dynamic Forces in Figurative Sculpture

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Sculpting the Figure in Clay: An Artistic and Technical Journey to Understanding the Creative and Dynamic Forces in Figurative Sculpture

A COMPREHENSIVE GUIDE TO SCULPTING THE HUMAN FIGURE IN CLAY

In Sculpting the Figure in Clay,acclaimed portrait bust sculptor and author Peter Rubino teaches a master class in the essentials of figurative sculpture. In this intensive, all-inclusive guide, he introduces students to a natural, straightforward geometry that will help them become masters at forming figures in clay. Rubino’s unique approach utilizes a geometric system consisting of blocks, simple shapes, and guidelines that instruct students in a new and instinctive sculptural style. With these easy-to-follow instructions and informative concepts, students will see figures as the basic shapes beneath the form as well as learn vital approaches such as BLT: Bend, Lean, and Turn, to create evocative expression, and the Three Ps: Position, Proportion, and Planes, for accurate representation. This unparalleled resource is the definitive guide to figurative sculpture.

TOPICS INCLUDE:
• The Fundamentals of the Clay Torso
• Observing the Model
• Essential Materials and Tools
• Sculpting the Female Torso from the Live Model
• Sculpting the Reclining Figure from the Live Model
• Sculpting the Hand, Foot, and Lower Arm
• Plus Many Photographic Reference Poses for continued Study

  • Sales Rank: #112695 in Books
  • Brand: Brand: Watson-Guptill
  • Published on: 2010-04-20
  • Released on: 2010-04-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .70" w x 8.60" l, 1.67 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

About the Author
Peter Rubino is an acclaimed sculptor of numerous private and corporate commissions. Among his many works, his piece Mother of Life,a ten-foot historic monument, graces Boyko research center at the Ben Gurion University of the Negev in Beer Sheva, Israel, and Angel, a thirty-five-foot monumental figure, was created for the Walt Disney Company. His previous book, The Portrait in Clay, has been translated into numerous languages, and he teaches annual workshops in both the United States and Italy utilizing his easy-to-follow, step-by-step instructional methods perfected over thirty-five years as an educator at such prestigious institutions as the Brooklyn Museum Art School and the National Academy School of Fine Arts in New York City. He has sculpted portraits of President Barack Obama, jazz icon Dave Brubeck, and sports legend Lou Gehrig. These and many other examples of Rubino’s work can be viewed at www.rubinostudio.com.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I think on the whole it will be a good book. I haven't actually had more than a ...
By Amazon Customer
I think on the whole it will be a good book. I haven't actually had more than a quick browse in it. However, I was disappointed that it included only female models; no male at all. I was really hoping for both.

16 of 17 people found the following review helpful.
For the Beginner or Expert Sculptor, a Great Reference
By HarbinCreative
I teach sculpting and have for a number of years. I had mentors when I started sculpting, but I also relied heavily on reference materials,
from experts such as Rubino (the current author of this volume) and Bruno Lucchesi, among others. Though I put Bruno at the top of my list, a close second is Rubino. He is truly a gifted sculptor who is an expert teacher. This volume on Sculpting the Figure in Clay is his best and most comprehensive. It even includes black & white photos of models in various poses which are perfect for sculpting. I will certainly "steal" his suggestions. No other reference book of this type ventures into doing an "abstract" figure, after completing a realistic version. This section I found particularly instructive, as it makes it easier for me to relay this type of information to my current (and hopefully future) students.
As a fellow artist, I commend and congratulate Rubino on an excellent and indispensable sculpture reference book.

20 of 23 people found the following review helpful.
Great book
By Barry W. Taylor
I originally purchased and used Peter Rubino's first book when I began to sculpt. Years later I attended a masters class taught by the author where he opined that one day he would write book on figure sculpture. Apparently he completed and published the book which is great. It clearly describes a tried and true technique for figure sculpture that is an aid to both the novice and advanced sculptor.

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? Ebook Free The Much-at-Once: Music, Science, Ecstasy, the Body (American Philosophy (FUP)), by Bruce W. Wilshire

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The Much-at-Once: Music, Science, Ecstasy, the Body (American Philosophy (FUP)), by Bruce W. Wilshire

In this capstone work, the late Bruce Wilshire seeks to rediscover the fullness of life in the world by way of a more complete activation of the body's potentials. Appealing to our powers of hearing and feeling, with a special emphasis on music, he engages a rich array of composers, writers, and thinkers ranging from Beethoven and Mahler to Emerson and William James.

Wilshire builds on James's concept of the much-at-once to name the superabundance of the world that surrounds, nourishes, holds, and stimulates us; that pummels and provokes us; that responds to our deepest need--to feel ecstatically real.

  • Sales Rank: #1571370 in Books
  • Published on: 2016-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x .90" w x 8.90" l, .0 pounds
  • Binding: Paperback
  • 296 pages

Review

"The Much-at-Once is an extraordinary edifice, a cathedral of concepts, a summa of Bruce Wilshire's distinguished and diverse writings. It is unprecedented in our time."-Edward S. Casey, Stony Brook University


"For decades, the late Bruce Wilshire has showered us with incandescent prose, teaching us to reflect and see beyond the banal, the habitual, the perpetual vises that often render our experiencing inert. In this last bequest from Wilshire, he teaches us how to listen, how to hear."--John J. McDermott, University Distinguished Professor of Philosophy and Humanities in Medicine, Texas A&M University


About the Author

Bruce W. Wilshire was Senior Professor of Philosophy at Rutgers University, New Brunswick, until his retirement in 2009. He died in 2013. His many books include Fashionable Nihilism: A Critique of Analytic Philosophy, The Primal Roots of American Philosophy: Pragmatism, Phenomenology, and Native American Thought, Wild Hunger: The Primal Roots of Modern Addiction, Role Playing and Identity: The Limits of Theatre as Metaphor, and William James and Phenomenology; a Study of the Principles of Psychology.

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! Download PDF Six Steps to Songwriting Success, Revised Edition: The Comprehensive Guide to Writing and Marketing Hit Songs, by Jason Blume

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Six Steps to Songwriting Success, Revised Edition: The Comprehensive Guide to Writing and Marketing Hit Songs, by Jason Blume

What’s the secret to writing a hit song? It’s as simple as 1-2-3-4-5-6! Innovative, practical, and inspiring, Six Steps to Songwriting Success presents a surefire step-by-step approach to mastering the elements consistently found in hit songs. Author Jason Blume, a songwriter with the rare distinction of having had songs on the Country, Pop, and R&B charts simultaneously, has packed this book with such key aids as the three-step lyric writing technique used by the pros; lyric, melody, and demo checklists; and tools for self-evaluation–plus many other exercises that work. Blume’s warm, humorous style features motivational anecdotes and entertaining stories of how hit songs came to be written and recorded. Get Six Steps to Songwriting Success, and get on the charts!

  • Sales Rank: #192756 in Books
  • Model: 4183722
  • Published on: 2008-09-02
  • Released on: 2008-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.11" h x .70" w x 6.99" l, 1.30 pounds
  • Binding: Paperback
  • 304 pages

About the Author
Jason Blume is a staff writer for Zomba Music. He has written songs for the Backstreet Boys, Britney Spears, as well as John Berry’s Top 5 country single, “Change my Mind” and Steve Azar’s country hit “I Never Stopped Lovin’ You.” He also developed and teaches the BMI Nashville Songwriters Workshop. He lives in Nashville, TN.

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9 of 10 people found the following review helpful.
One of Two Great Songwriting Books!
By M. Simon
Being a complete novice at songwriting and wanting to start NOW!, I bought this book at the same time as "Tunesmith" by Jimmy Webb. I batted 100%. Both are great! Jason Blume's book is a kickstart to jumping right into the process with specific directions and tips. Quick reading and a great reference for "do's and don't's". If you're curious about any aspect of songwriting, it all seems to be there from how to do it through how to sell it and spend the money. Also, the index is pretty thorough which is very important to me. Webb's book, on the other hand, also seems to cover it all but at more length and more depth. (I say "seems" because I haven't finished either book yet). I'm reading it at my leisure and supplementing the Blume reading... and working at my first song.

11 of 12 people found the following review helpful.
Become a pro or improve your craft
By cristiano007
As a beginning songwriter, I found Jason's book to be a godsend for me. It's funny, clear and helpful reading. He gave a lot of hope and freedom for those who aren't musicians because he is the living proof of the diference between musicians and songwriters. Everything is OK: the order of the lessons, the examples, the stories and the exercises. You can read the entire book in few days because is so interesting, but you will comeback once and again, to learn more and more.

15 of 17 people found the following review helpful.
50% INSPIRATION + 50% NETWORKING = 100 % SUCCESS
By middlemoo
Having watched Jason's own professional journey since the mid-80s, I'm overjoyed at his success, and the fact that he shares all of the peaks and valleys of his career so honestly in this book! Jason doesn't sugarcoat anything about the music biz - but he keeps the joy and enthusiasm and LOVE for music intact as he tells what worked for him, what DIDN'T work - and why! You won't find a more honest and revealing look at what it takes to be a hit songwriter today.

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** Free PDF Art From Intuition: Overcoming your Fears and Obstacles to Making Art, by Dean Nimmer

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Art From Intuition: Overcoming your Fears and Obstacles to Making Art, by Dean Nimmer

Practical self-help for artists who want to free their creativity. Art from Intuition offers artists everywhere a unique system for freeing their own creative intuition, the sixth sense that directs an artist’s drive and work. By letting go of the self-criticism, doubt, and insecurity that discourage artmaking, artists will be able to soar to new heights of creativity. More than 60 practical exercises take the reader from the most basic intuitive art to more sophisticated techniques. Each exercise, supported by step-by-step instructions, is accessible to artists at every level, and the exercises can be done in any order. After each chapter, readers are encouraged to follow up by evaluating their drawings or paintings to see how they reflect their own personal goals. Works of art by students and contemporary artists exemplify how exciting and how productive a freer, more intuitive approach to making art can be.

  • Sales Rank: #398901 in Books
  • Brand: Brand: Watson-Guptill
  • Model: 3632108
  • Published on: 2008-04-15
  • Released on: 2008-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x .40" w x 8.50" l, 1.39 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

About the Author
Dean Nimmer, a respected artist, was the chair of the fine arts department at the Massachusetts College of Art in Boston for 23 years. He has lectured on art and the creative process at Harvard, Yale, MIT, the Royal Melbourne Institute of Art, Winchester College in Barcelona, Burren College of the Arts in Ireland and many other institutions.

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87 of 89 people found the following review helpful.
Taking that creative leap
By Sheilah. Bockett
A cartoon in this book says it all: an artist is crouched, quaking, in the corner of his studio, his back to a large, blank canvas on an easel in the middle of the room. The cartoon (by Gary Haligren) is titled: "The Fear of Art." It is fashionable to get introspective about our artistic blocks, but in the end, it is only action that works - diving in no matter what. In his book "Art from Intuition" Dean Nimmer provides the momentum for doing this. And it's no empty advice. His ideas come out of the personal experience some years ago of enlivening his own approach to painting.

For those who have lost their creative spontaneity, the best prescription could well be the exuberant explorations that Nimmer presents in his book "Art from Intuition." The activities are far from being the formal "exercises" that one reviewer says the book contains. There are absolutely no constraints here. Painting blindfolded is hardly an "exercise!" More like a leap of creative faith. The activities are progressive, but Nimmer suggests that one way of approaching the book is to start anywhere - at the very end if you like - with an activity that takes your fancy. Anything to get you going.

Nimmer uses a conversational style that is engaging as well as persuasive, and hardly what you would expect of Professor Emeritus at the Massachusetts College of Art in Boston.

What may be a challenge is the idea of dividing your results into Like, Dislike, and To Be Continued, and actually keeping a folio of each category. Yes, a folio of your artwork you dislike! We are so used to keeping only the best. (Nimmer cunningly suggests that you might change your mind later on down the track.) It's rather like a form of visual brainstorming - no censoring of the initial results. The only `formal" suggestions are for setting up a time and a place, and making sure you have the materials you need.

Don't be put off by the criticisms of the artwork in this book. The examples show the creative process in the raw, not as the nice, tidy, final art works the rest of us are only willing for others to see. Nimmer's students are generous and courageous in sharing their personal process. However, their joy in the creative process is very much apparent in the photographs of them at work.

Nimmer's personal website (under Nimmer's own name) is well worth looking at. and maybe it will be the final thing that persuades you to take that creative leap.

0 of 0 people found the following review helpful.
Slightly disappointed by this book
By Sherry L.
Slightly disappointed by this book. I am not inspired by the art at all. I probably will get some good inspiration from the pages though.

0 of 0 people found the following review helpful.
Great exercises that are easy to follow and fun to ...
By Natalie Hinshaw
A stimulating read to get one started or back on track. Great exercises that are easy to follow and fun to do! A great experience.

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Drawing the Line: Toward an Aesthetics of Transitional Justice (Just Ideas (FUP)), by Carrol Clarkson

Drawing the Line examines the ways in which cultural, political, and legal lines are imagined, drawn, crossed, erased, and redrawn in post-apartheid South Africa through literary texts, artworks, and other forms of cultural production. Under the rubric of a philosophy of the limit and with reference to a range of signifying acts and events, this book asks what it takes to recalibrate a sociopolitical scene, shifting perceptions of what counts and what matters, of what can be seen and heard, of what can be valued or regarded as meaningful.

The book thus argues for an aesthetics of transitional justice and makes an appeal for a postapartheid aesthetic inquiry, as opposed to simply a political or a legal one. Each chapter brings a South African artwork, text, speech, building, or social encounter into conversation with debates in critical theory and continental philosophy, asking: What challenge do these South African acts of signification and resignification pose to current literary-philosophical debates?

  • Sales Rank: #5052443 in Books
  • Published on: 2013-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .80" w x 9.10" l, .95 pounds
  • Binding: Hardcover
  • 224 pages

Review

"What makes Clarkson's project truly dialogical--and what distinguishes it from a number of other analyses of contemporary South African culture and literature--is that she both reads South African culture in terms of theory but also examines and, indeed displays, what South African culture might also offer theory."-Russell Samolsky, University of California, Santa Barbara


"One rarely comes across work of such intelligence and imagination. This book is beautifully written and one finds oneself forever being caught out by wonderful and unpredicted connections, turns of phrase, the ease and acuity with which insights from disparate fields are brought together and developed."-Emilios Christodoulidis, University of Glasgow


"Carrol Clarkson draws on literary and other realms in new and previously published writings on transitional justice in South Africa." -The Chronicle Review


"Clarkson's book shows us in so many ways that the post-apartheid world is by no means a given world and that the question of its possibility will depend on whether we are still able to become aware again of--and willing to act ethically and politically upon--our poetic potentiality to bring forth a world that would aesthetically be other than and other to the Nietzschean eternal recurrence of 'the worst'."--Jaco Barnard-Naude, SA Journal of Law, 131.4


About the Author

Carrol Clarkson is Associate Professor and Head of the Department of English Language and Literature at the University of Cape Town.

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Minggu, 15 Juni 2014

^ Download PDF Thresholds of Listening: Sound, Technics, SpaceFrom Fordham University Press

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Thresholds of Listening: Sound, Technics, SpaceFrom Fordham University Press

Thresholds of Listening: Sound, Technics, SpaceFrom Fordham University Press



Thresholds of Listening: Sound, Technics, SpaceFrom Fordham University Press

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Thresholds of Listening: Sound, Technics, SpaceFrom Fordham University Press

Thresholds of Listening addresses recent and historical changes in the ways listening has been conceived. Listening, having been emancipated from the passive, subjected position of reception, has come to be asserted as an active force in culture and in collective and individual politics.

The contributors to this volume show that the exteriorization of listening- brought into relief by recent historical studies of technologies of listening-involves a re-negotiation of the theoretical and pragmatic distinctions that underpin the notion of listening. Focusing on the manifold borderlines between listening and its erstwhile others, such as speaking, reading, touching, seeing, or hearing, the book maps new frontiers in the history of aurality. They suggest that listening's finitude- defined in some of the essays as its death or deadliness-should be considered as a heuristic instrument rather than as a mere descriptor.

Listening emerges where it appears to end or to run up against thresholds and limits-or when it takes unexpected turns. Listening's recent emergence on the cultural and theoretical scene may therefore be productively read against contemporary recurrences of the motifs of elusiveness, finitude, and resistance to open up new politics, discourses, and technologies of aurality.

  • Sales Rank: #9220415 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.20" h x 1.00" w x 9.00" l, .0 pounds
  • Binding: Hardcover
  • 324 pages

Review

Clearly the scholarship that underpins Thresholds of Listening is generally very thorough and experimental, which tests conventional understandings of scholarship. Given its unique qualities, I would rate this book as an important contribution that will be useful across a number of disciplines, from musicology and music theory to philosophy and literary theory, but also touching upon certain strands of science. -Kenneth Gloag, Cardiff University


Thresholds of Listening intervenes into an extraordinarily wide range of subjects, ranging from masochism and torture at one extreme to Cage and Kafka at the other. Chapters zoom by at high speed, covering enormous ground and wrestling on all fronts with music s potential value as a transformative biopolitical praxis. The level of scholarship is excellent, and van Maas s cast of contributors includes stellar names alongside emerging scholars. This is less a book about listening to music than a virtuosic inquiry into the relationships between listening, hearing, sound, and space and an investigation of the limits of the human body. -- Anthony Gritten, Royal Academy of Music


About the Author

SANDER VAN MAAS is Assistant Professor of Musicology at the University of Amsterdam. He is the author of The Reinvention of Religious Music: Olivier Messiaen's Breakthrough toward the Beyond (Fordham).

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Sabtu, 14 Juni 2014

>> Ebook Human Remains: Medicine, Death, and Desire in Nineteenth-Century Paris (Forms of Living), by Jonathan Strauss

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Human Remains: Medicine, Death, and Desire in Nineteenth-Century Paris (Forms of Living), by Jonathan Strauss

The living and the dead cohabited Paris until the late eighteenth century, when, in the name of public health, measures were taken to drive the latter from the city. Cemeteries were removed from urban space, and corpses started to be viewed as terrifyingly noxious substances.The dead had fallen victim to a sustained new reflection on the notions of life and death that emerged from the two new medical fields of biology and hygiene. In large part, the Paris of the nineteenth century-the Paris of modernity-arose, both theoretically and physically, out of this concern over the relations between the animate and the inanimate.As the dead became a source of pervasive and intense anxiousness, they also became an object of fascination that at once exceeded and guided the medical imagination attempting to control them. Human Remains examines that exuberant anxiety to discover the irrational, indeed erotic, forces motivating the medicalization of death.Working across a broad range of disciplines, including history, literature, the visual arts, philosophy, and psychoanalysis, the book seeks to understand the meaning of the dead and their role in creating one of the most important cities of the contemporary world.

  • Sales Rank: #7700170 in Books
  • Published on: 2012-02-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.20" h x 1.10" w x 9.10" l, .82 pounds
  • Binding: Hardcover
  • 410 pages

Review

Strauss examines the role played by a medical field that had recently gained considerable prestige, and the variety of discourses that accompanied the nineteenth-century's obsessive interest in the dead, testifying to an 'inadmissible desire for the abject'. This is an important and dazzling work.-Marie-Helene Huet


A thought provoking, innovative study that combines pioneering scholarship to produce a novel vision of nineteenth-century culture and contemporary philosophy.-Mitchell Greenberg


About the Author

Jonathan Strauss is Professor of French at Miami University. He is the author of Subjects of Terror: Nerval, Hegel, and the Modern Self.

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