Kamis, 30 Oktober 2014

@ Download PDF How to Run a Theater: A Witty, Practical and Fun Guide to Arts Management, by Jim Volz

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How to Run a Theater: A Witty, Practical and Fun Guide to Arts Management, by Jim Volz

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How to Run a Theater: A Witty, Practical and Fun Guide to Arts Management, by Jim Volz

"If other theaters across America had the opportunity to work with Jim Volz, there would be a flowering of American theater unparalleled in our history."

- Rosary H. O'Neill, Artistic Director, Louisiana's Southern Rep




"All of us in the arts field are hungry to improve our skills in life and
arts management. The grim tenor of the times makes this witty and fun
guide even more valuable to us all. A joy, not a chore, to read!"

-Ben Cameron, Executive Director, Theatre Communications Group




The definitive arts management guide, this book is written with tremendous insight and humor and packed with dozens of lists, such as "22 Wonderful Ways to Improve Your Life in the Theater" and "20 Distractions that Erode Productivity." It provides information on improving an organization by building audiences, bolstering fundraising, and tightening finances. Also covered are tips for solidifying relationships with boards, volunteers, communities, and colleagues. It's all here, from managing one's own life, working with a board of trustees, and managing a team to negotiating, fundraising, marketing, and financial management. This resource will appeal to all those who work in arts management-from novices to veteran middle managers and executive directors.



Here are the Lists Included in this Wonderful Book

• 10 Timely Tips for Savvy Arts Administrators

• 20 Distractions that Erode Productivity

• 30 Ways to Seize Control of Your Life

• 12 Ways to Endear Your Theater to Your Community

• 15 Ways to Infuriate Your Community

• 22 Ways to Improve Your Life in the Theater

• 18 Notes Actors Would Give to Artistic Directors

• 5 Tips for Starting a New Job

• 14 Survival Skills for Theater Professionals Young and Old






• An ideal source for anyone aspiring to work behind the scenes in the arts

• Full of breakout boxes, quotes, and helpful lists

• Useful for music groups, art house movie theaters, and all arts management venues

• Available in both paperback and hardcover



Click here to view the hardcover edition of this book

  • Sales Rank: #934911 in Books
  • Brand: Brand: Back Stage Books
  • Published on: 2004-07-01
  • Released on: 2004-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .48" w x 5.98" l, .67 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Used Book in Good Condition

About the Author
Jim Volz is a nationally known theater producer, author, educator, advocate, and columnist. He is a professor at California State University and president of Consultants for the Arts. He lives in Orange County, CA.

Most helpful customer reviews

17 of 17 people found the following review helpful.
A Great Book for Arts Managers, Artists and Artist/Managers
By Suzanne Celentano
Volz' How to Run a Theater should be required reading for anyone working in the field of arts management -- be they artists or managers or artist/managers -- and anyone training to work in this challenging field. Written in the "witty" style that the subtitle suggests, this text offers an extensive overview of the many challenges that theatre managers face today, and more importantly, sound advice on how to succeed in spite of them. Volz offers us in-depth insights into such real managerial dilemnas as: season planning, budgeting, and audience development and such life management issues as: goal setting, networking and surviving in the competitive field of arts management. Using knowledge gained through over three decades of work as a nationally-recognized arts consultant and university professor, Volz not only inspires his readers to make their artistic dreams into reality, but, like any good consultant, teaches them how to do so. Perhaps best of all, this advice is offered with an appropriate blend of humor and perspective, encouraging readers to pursue their artistic goals, and to enjoy the process of reaching them along the way.

18 of 19 people found the following review helpful.
Good book for some, not for me building a theater from scratch.
By Jeannette Jaquish
This book tells how to do a traditional board of directors type theater. I am making a more rudimentary theater and needed to know how to create a board that would protect my investment in a building, help me with guidance, some fund raising, some outreach, but not saddle me with its own philosophical pronouncements that might hurt ticket sales in favor of their whim.

I actually, skimmed through every page, searching for the practical knowledge I needed. This book has no nuts and bolts about theaters. It could be about many kinds of non-profit enterprises. Not a word about anything hands-on and maybe I was mistaken to expect that, except the title is "How to Run a Theater" so maybe I did have reason to think it would describe scheduling rehearsals alongside scheduling set building, or how to research building codes, how to build a stage from scratch, what to look for in a building, what certified professionals I would have to hire, or profit vs non-profit theatering.

And the mild humor and Dear Abby suggestions lightened it but got repetitive. I presume most people don't read the whole book but at least 4 times he tells me to be on time and be respectful of other people. Well, who can argue?

9 of 9 people found the following review helpful.
Simple, Clear, and Saves Time
By Cindy Melby Phaneuf
Our staff continues to use this book. Jim Volz makes things simple and clear, and he saves us boatloads of time trying to figure out how to do things ourselves from scratch. HOW TO RUN A THEATER is also a great training tool for new staff. We are using various chapters as preparatory reading for our strategic planning meetings. I am proposing that our management classes use this text. I am so happy Jim wrote this book.

Cindy Melby Phaneuf

Founder/Artistic Director, Nebraska Shakespeare Festival

Isaacson Professor of Theatre, University of Nebraska-Omaha

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~~ Fee Download The Animal That Therefore I Am (Perspectives in Continental Philosophy), by Jacques Derrida

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The Animal That Therefore I Am (Perspectives in Continental Philosophy), by Jacques Derrida

The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida's ten-hour address to the 1997 Crisy conference entitled The Autobiographical Animal, the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session. The book is at once an affectionate look back over the multiple roles played by animals in Derrida's work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction-dating from Descartes-between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single the animal.Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses tothe question in the work of each of them.The book's autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida's experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of man's dominion over the beastsand trace a history of how man has systematically displaced onto the animal his own failings or btises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of lifeto which he returned in much of his later work.

  • Sales Rank: #504098 in Books
  • Brand: Brand: Fordham University Press
  • Published on: 2008-04-15
  • Original language: French
  • Number of items: 1
  • Dimensions: 5.90" h x .60" w x 8.90" l, .59 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

About the Author

The late JACQUES DERRIDA was the single most influential voice in European philosophy of the last quarter of the twentieth century. His The Animal That Therefore I Am, Sovereignties in Question, and Deconstruction in a Nutshell have been published by Fordham University Press.

MARIE-LOUIS MALLET has been a Program Director at the Collge International de Philosophie and was the organizer of three of the four Derrida Cerisy conferences. She is author of La Musique en respect and is the editor of the special edition of Les Cahiers de l'Herne on Derrida.

DAVID WILLS is Professor of French and English at the University at Albany, SUNY. His most recent book is Dorsality: Thinking Back Through Technology and Politics.

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13 of 13 people found the following review helpful.
For the philosophical animal lover
By threezees
This book is among my first experiences with Derrida, and it has forever changed the way I view animal cruelty and the animal- human relationship. Derrida is brilliant. It's easy to feel privileged with the companionship of his thoughts and deconstruction of the philosophies of Descartes, Heidegger, and Lacan among others. We have gone from the traditional image of philosopher with dog at his feet to philosopher stark naked and vulnerable before his cat. It is an illuminating read.

2 of 3 people found the following review helpful.
THE ROLE OF “HUPAKOUO” IN AUTO-BIOGRAPHY:
By barryb
THE ROLE OF “HUPAKOUO” IN AUTO-BIOGRAPHY:
How are we to define the “self” as “subject” if we ignore “spiritual-seeing” and “spiritual-hearing”?
There is more to humanity than the cognitive and the construction of rational propositions. There is a more primitive dimension that also defines us. This dimension speaks to us in an unknown grammar, one that appears to the Hupakouo attribute of the “psyche” who possesses the right perspective or “stance”. Of course, this is the concern of phenomenology in the first place; and the concern of post-modern thought. It is time to re-acquaint ourselves with the “Animot-voice” of the animal-other.
In 10 days at a conference held at the Cerisy Cultural Center in Lasalle, France Derrida did just that. This is his treatise of “awakening”; his plea for a new “auto-biography”, one that will give the animal-monster, that currently exists in the world, a “new name”.

HOW DO WE WRITE THE NEW NAME?

Derrida proposes a triad with regard to his approach. We could call this his “triad-of-Hupakouo”; a new LOGOS. Its parts: 1. the “being-after” of the self as a state of latency with regard to this quest for auto-bio definition. This is the self of shame and impropriety, and under the gaze of the interrogating animal-other. 2. The “being-alongside” marks a transition of the self where self enters the role of “negation” and negating the “monstrous animal”; and positing instead the “theoretical animal-other”. But discernment is still missing here. The self needs dialogue to get past this “lack” with regard to auto-biography. 3. The “being-near” of the self recognizes the role that ”Hupakouo” plays at the level of “presentation” concerning the “other” and “listening” with regard to the transcendentally intuitive “psyche”. Self and animal can co-exist in dialectic.

This is the same Derrida of the “phenomenology-of-writing”; therefore, we should recognize that the “PRAXIS” of all this is the positing of a written “zoo-to-biographical sketch”. This is a sketch of relation between the “I” of the self and the history of the “animal-as-concept”. We will enlist the attestation, argument, and proof of our recalled “auto-bio memory” as the apologetic accompanying proclamation; to help empower this PRAXIS.

The “notion” of this praxis-positing is formed through a process Derrida calls: “Limitophy”; which is a deconstruction of the false-singularity of “animal” currently in existence, coupled with re-interpreting the limit-point of our situation in a way that is “non-linear”. And the “cultivation” of the results of dialogue at the conversation-threshold with other selves involved in the process of forming a new name for animal. Cultivation takes place under the critique of a posited 3rd party called “Universality”.

Give yourself the benefit of reading this manuscript slowly; it is rich in content and addresses Derrida’s fundamental position in a way that centers on ”listening”. We are never so well advanced that we cannot learn new ways to awaken our spiritual listening.
5 stars for this 10-day conference.

0 of 0 people found the following review helpful.
another Derrida!
By Glen A. Mazis
Not really--most of his themes are here, too--but it is a more passionate, more straightforward Derrida than many of his works--he really cares about animals and his anger at the history of Western philosophy for giving the foundations for this "genocide" against animals is palpable--one of my favorite books that I found my students loved, too--and they did not have a strong background in philosophy.

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Senin, 27 Oktober 2014

~~ Ebook Nietzsche and the Becoming of Life (Perspectives in Continental Philosophy (FUP))From Fordham University Press

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Nietzsche and the Becoming of Life (Perspectives in Continental Philosophy (FUP))From Fordham University Press

Throughout his writing career Nietzsche advocated the affirmation of earthly life as a way to counteract nihilism and asceticism. This volume takes stock of the complexities and wide-ranging perspectives that Nietzsche brings to bear on the problem of life's becoming on Earth by engaging various interpretative paradigms reaching from existentialist to Darwinist readings of Nietzsche.

In an age in which the biological sciences claim to have unlocked the deepest secrets and codes of life, the essays in this volume propose a more skeptical view. Life is both what is closest and what is furthest from us, because life experiments through us as much as we experiment with it, because life keeps our thinking and our habits always moving, in a state of recurring nomadism. Nietzsche's philosophy is perhaps the clearest expression of the antinomy contained in the idea of "studying" life and in the Socratic ideal of an "examined" life and remains a deep source of wisdom about living.

  • Sales Rank: #1735562 in Books
  • Published on: 2014-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x .90" w x 8.90" l, .0 pounds
  • Binding: Paperback
  • 424 pages

Review

"Vanessa Lemm is one of the most original Nietzsche scholars working today and an expert on a key aspect of Nietzsche's thought: animal life. Nietzsche and the Becoming of Life presents original interpretations of Nietzsche's works, addressing his conception of life from the observation point of topics such as naturalism, evolutionary biology, bodily experience, normativity, justice, and self-experimentation. It is a much welcome addition to Nietzsche studies." -Federico Luisetti, The University of North Carolina at Chapel Hill


"From his earliest work, where the philosopher's task was to 'look at science through the optic of the artist, but also to look at art through the optic of life,' to his final critiques of nihilism and the ascetic ideal for their inability to affirm or enhance life, Nietzsche's thinking never strayed from the perspective of life. But what does Nietzsche mean by 'life'? And what would it mean to affirm it? Rather than concede to the biological and evolutionary sciences the task of unlocking the secret codes of life, Vanessa Lemm brings together in this timely volume essays by an international array of leading Nietzsche scholars who examine from each of the three dominant approaches to Nietzsche interpretation existentialist, naturalist, and poststructuralist Nietzsche's insight that the becoming of biological life is of the utmost normative significance to human beings." -Alan D. Schrift, Grinnell College


"This exciting collection of essays challenges existing interpretations of several key moments of Nietzsche's philosophy, especially his understanding of biological life and what it means for human beings to affirm life. Individual chapters cast new light on his relationship to thinkers such as Darwin, Emerson, Empedocles, and Hegel. This immensely rich book should be read by everyone interested in contemporary Nietzsche scholarship!"--Paul Patton, Scientia Professor of Philosophy, University of New South Wales, Australia


"The roster of contributors is impressive, comprising top-notch Nietzsche scholars from North and South America, as well as Europe. The seventeen papers collected here represent a diverse but coherent and complementary range of interpretive approaches, all of which focus on different aspects of Nietzsche's conception of life and related topics. A collection like this is a real boon to Nietzsche studies."--Peter Groff, Bucknell University


About the Author

Vanessa Lemm is Professor in Philosophy at the School of Humanities and Languages of the University of New South Wales, Australia.

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Six Steps to Songwriting Success: The Comprehensive Guide to Writing and Marketing Hit Songs, by Jason Blume

Drawing on his experience as a hit-making songwriter and song writing instructor, Jason Blume presents an easy to understand, step-by-step approach to mastering those key elements consistently found in hit songs. Incorporating inspiring anecdotes, effective exercises, and common sense checklists for self-evaluation, 6 Steps to Songwriting Success provides a concise analysis of the six steps essential to song writing success - developing successful song structures, writing effective lyrics, composing memorable melodies, producing successful demos, taking care of business, and developing persistence. Exercises for practicing and honing these skills, advice from more than 50 industry professionals, and checklists to objectively assess one's strengths and weaknesses are included. This updated edition reflects industry changes such as the advent of MP3s, the increase in music sampling, and the fact that CDs have replaced cassettes as the industry standard for presenting material. 6 Steps to Songwriting Success contains everything songwriters need to know about the creative and business aspects of writing successful songs

  • Sales Rank: #1583493 in Books
  • Brand: Brand: Billboard Books
  • Published on: 2004-04-01
  • Released on: 2004-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.09" h x 7.28" w x 9.40" l,
  • Binding: Hardcover
  • 282 pages
Features
  • Used Book in Good Condition

About the Author
Jason Blume is a staff writer for Zomba Music. He has written songs for the Backstreet Boys, Britney Spears, as well as John Berry’s Top 5 country single, “Change my Mind” and Steve Azar’s country hit “I Never Stopped Lovin’ You.” He also developed and teaches the BMI Nashville Songwriters Workshop. He lives in Nashville, TN.

Most helpful customer reviews

9 of 10 people found the following review helpful.
One of Two Great Songwriting Books!
By M. Simon
Being a complete novice at songwriting and wanting to start NOW!, I bought this book at the same time as "Tunesmith" by Jimmy Webb. I batted 100%. Both are great! Jason Blume's book is a kickstart to jumping right into the process with specific directions and tips. Quick reading and a great reference for "do's and don't's". If you're curious about any aspect of songwriting, it all seems to be there from how to do it through how to sell it and spend the money. Also, the index is pretty thorough which is very important to me. Webb's book, on the other hand, also seems to cover it all but at more length and more depth. (I say "seems" because I haven't finished either book yet). I'm reading it at my leisure and supplementing the Blume reading... and working at my first song.

11 of 12 people found the following review helpful.
Become a pro or improve your craft
By cristiano007
As a beginning songwriter, I found Jason's book to be a godsend for me. It's funny, clear and helpful reading. He gave a lot of hope and freedom for those who aren't musicians because he is the living proof of the diference between musicians and songwriters. Everything is OK: the order of the lessons, the examples, the stories and the exercises. You can read the entire book in few days because is so interesting, but you will comeback once and again, to learn more and more.

15 of 17 people found the following review helpful.
50% INSPIRATION + 50% NETWORKING = 100 % SUCCESS
By middlemoo
Having watched Jason's own professional journey since the mid-80s, I'm overjoyed at his success, and the fact that he shares all of the peaks and valleys of his career so honestly in this book! Jason doesn't sugarcoat anything about the music biz - but he keeps the joy and enthusiasm and LOVE for music intact as he tells what worked for him, what DIDN'T work - and why! You won't find a more honest and revealing look at what it takes to be a hit songwriter today.

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Jumat, 24 Oktober 2014

~ Fee Download The Road to Richmond: The Civil War Letters of Major Abner R. Small of the 16th Maine Volunteers. (The North's Civil War), by Harold A. Sm

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The Road to Richmond: The Civil War Letters of Major Abner R. Small of the 16th Maine Volunteers. (The North's Civil War), by Harold A. Sm

Abner Small wrote one of the most honest, poignant, and moving memoirs to come out of the Civil War. He served as a non-commissioned officer in the Third Maine Infantry during the summer of 1861, experiencing battle for the first time at First Bull Run. As a recruiting officer, he helped to raise the Sixteenth Maine Infantry and served as its adjutant. The Sixteenth Maine gained fame for its heroic delaying action on July 1 at Gettysburg, where it lost 180 of its 200 men. It went on to serve in Grant's Overland Campaign in Virginia. Small was an articulate observer of all this. He wrote his memoirs with a keen sense of the irony of life during wartime, and with a gift for expression. His descriptions of the dead at Gettysburg, his characterizations of famous men such as Major General Oliver Otis Howard, and his reflections on the emotions of men under fire are outstanding. Small was captured in the battle of Globe Tavern on August 18, 1864. His account of prison life at Libby, Salisbury, and Danville is gripping. Small was exchanged just in time to lead his regiment in the final days of the war. His book reveals more of the inner soldier than almost any other account written by a Union veteran.

  • Sales Rank: #2109489 in Books
  • Brand: Brand: Fordham University Press
  • Published on: 1999-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.50" h x .90" w x 8.50" l, .98 pounds
  • Binding: Paperback
  • 314 pages
Features
  • Used Book in Good Condition

Review
"A compact and truthful picture of what life was like in the Army of the Potomac."

About the Author
Harold Adams Small was the son of Major Abner R. Small and was Director of the University of California Press. Earl J. Hess is Associate Professor of History at Lincoln Memorial University in Tennessee.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Gem of a Memoir
By Andrew Hall
It's rare to find a truly memorable wartime memoir written by an "ordinary" soldier. Most are seriously flawed in one way or another. Perhaps memories are dulled by the passage of time, or subconciously altered by the author's exposure to media hype. All too often it's painfully obvious that most memoirists are not professional writers or even very good story tellers. Every now and then, however, a diamond will emerge from the rough ore that makes up the mass of the genre -- Eugene Sledge's "With The Old Breed" immediately springs to mind -- and we'll be treated to a memoir that combines poignancy, honesty and genuine narrative skill. Abner Small's "The Road to Richmond" is one of those uncommon gems, a wartime memoir that captures the full spectrum of emotions and experiences endured by a common soldier, never falling into the trap of glorification, or pretending to offer glib, easy answers.

Small was an ordinary citizen from a small town in Maine at the outbreak of the Civil War. He was one of the early volunteers, and he managed to survive the entire conflict, experiencing along the way nearly everything a volunteer soldier could experience -- day-to-day boredom in the long periods waiting for operations to commence, routine life in camp and on the march, combat as a skirmisher and in line of battle, and a POW. During his service, he kept a diary, even while in Confederate prisons. Many years after the war, he used his diary and his letters home as the basis for his memoir. The truly amazing thing is that Small, without the benefit of an extensive education, had a natural talent for writing. While he always remained active in GAR veteran's groups, he never became enamored of his service, or combat in general, even when time, society and the media of his day tended glorify and make heros of those who fought. He portrays himself as an ordinary soldier caught up in the whirlpools of events, neither heroic nor cowardly. His ambivalence toward war comes through clearly, yet he just as clearly feels he was part of something much larger and greater than himself. He doesn't pretend to have the answers to the larger questions dissected by historians. He didn't regret his service, but he also didn't buy the concept of "Heroic War". He had the rare ability to portray his ideas and memories in clear, concise, vivid prose. He had the knack of finding wonderful metaphors to convey his points. Even more surprising, his style of writing translates very well to a 21st century audience. Readers today won't find his writing stilted, wordy, or dated, as is so often the case with works from the Victorian era. His writing shows just how similar we still are to our 19th century forebears. It's an example of the kind of concise writing Strunk and White would approve of.

The one weakness in Small's memoir is when tries to convey the larger movements of the armies. When he talks of this regiment, or that brigade moving to the left or right, rather than simply what he or his immediate comrades saw, he tends toward the dull, flat and pedantic. This is in part because his intended audience -- other veterans -- were of course privy to how Civil War armies were organized and moved on the battlefield, whereas this type of esoterica is alien to later generations.

Critics far more knowledgeable than me rate this book very high, and I can see why. I would certainly place "Road to Richmond" among the top 5 best wartime memoirs by ordinary soldiers I have read. Very highly recommended for any Civil War enthusiast, or anyone interested in an honest, poignant look into the hard life of a soldier/sailor.

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^^ Ebook The Love of Learning and The Desire for God: A Study of Monastic Culture, by Jean Leclercq

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The Love of Learning and The Desire for God: A Study of Monastic Culture, by Jean Leclercq

The Love of Learning and the Desire for God is composed of a series of lectures given to young monks at the Institute of Monastic Studies at Sant'Anselmo in Rome during the winter of 1955-56.

  • Sales Rank: #278801 in Books
  • Brand: Brand: Fordham University Press
  • Published on: 1982-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.90" h x .70" w x 8.90" l, .88 pounds
  • Binding: Paperback
  • 282 pages
Features
  • Used Book in Good Condition

Review
"One of the most remarkable general studies in this field."

Language Notes
Text: English, French (translation)

About the Author

Jean LeClercq, OSB was a Benedictine monk, and author of a classic study on Lectio Divina and the history of inter-monastic dialogue.

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14 of 15 people found the following review helpful.
Classic Guide to Monastic Culture
By David G. Robinson
Back in university in the late 1970's, I took a course at the University of Washington titled "The Bible in Early and Medieval Literature and Culture". This book was one of the main textbooks. Thirty years later, I still open Leclercq's work to gain greater insight into the development of monastic culture. Leclercq died in October 1993, but not before leaving us with a treasure trove of writings on monastic life, lectio divina, and other subjects. "Love of Learning" is not casual reading, but intended for the serious student of history, especially anyone fascinated by monastic life, and the development of various forms of monasticism. As a Benedictine monk, Leclercq's hero of course is St. Benedict to whom he devotes many pages of insight, especially the development of Benedictine spirituality over the centuries after Benedict. That is where he has been of great help for my studies in the spread of Benedictine spirituality, and the influence of Benedictine culture upon western Europe and contemporary life. It is not by accident that Benedict is consider the Patron Saint of Europe. Through the spread of Benedictine abbeys across the landscape of Europe, from Portugul to Poland, from Sweden to Sicily, Benedictine life touched the lives of millions of Europeans in those centuries often known as "the dark ages", with Benedictine monks bringing literacy, health, agriculture, orchards, vineyards, industry, artistry, preservation of ancient manuscripts including the Bible, calligraphy, liturgy, modesty, humility, and stability to villages, towns and cities across a continent. No small feat! If you are interested in knowing more about Benedictine spirituality, look at these two recently published books on the subject, intended for nonmonstics: Ancient Paths: Discover Christian Formation the Benedictine Way; and The Busy Family's Guide to Spirituality: Practical Lessons for Modern Living From the Monastic Tradition.

14 of 16 people found the following review helpful.
More about learning
By John K. Kehoe
Learning is one of my passions. Over the years I have seen a number of references to Leclercq's book and then I read it. In the Middle Ages (Eleventh century and beyond) learning happened in two social contexts: monastery and school. Leclercq focuses on the monastery, where the monks learned in order to praise God and live devout lives. To pray they had be be able to read the scriptures and other texts - both Christian and classical. What they read and prayed about prompted them to write their own expositions. The more famous of these are ones by Bernard of Clairvaux, Anselm and a few others. In general, the monks had little interest in abstract or conceptual learning; they left this to those teaching at the schools. Overall, Leclercq clearly and thoughtfully describes the learning at the monasteries, which influence later Western thought. The Middle Ages were not as "dark" as we sometimes think they were.

28 of 30 people found the following review helpful.
A classic study
By Terra Australia Incognita
Dom Leclercq's study of Benedictine monastic spirituality remains a classic. In fact Pope Benedict XVI has quoted from it extensively in his various addresses on monasticism and European culture.

Originally written as a series of conferences for young monks, the book starts by exploring the two foundational documents of Benedictine spirituality - the Rule of St Benedict and the Life of the saint by St Gregory the Great. From there it traces the development of the monastic commitment to learning and prayer through the middle ages, with particular emphasis on St Bernard.

It is beautifully written, and full of spiritual gems.

A must read for any serious student of monasticism.

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Kamis, 23 Oktober 2014

@ Ebook Free Giving an Account of Oneself, by Judith P. Butler

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Giving an Account of Oneself, by Judith P. Butler

What does it mean to lead a moral life?In her first extended study of moral philosophy, Judith Butler offers a provocative outline for a new ethical practice-one responsive to the need for critical autonomy and grounded in a new sense of the human subject.Butler takes as her starting point one's ability to answer the questions What have I done?and What ought I to do?She shows that these question can be answered only by asking a prior question, Who is this 'I' who is under an obligation to give an account of itself and to act in certain ways?Because I find that I cannot give an account of myself without accounting for the social conditions under which I emerge, ethical reflection requires a turn to social theory.In three powerfully crafted and lucidly written chapters, Butler demonstrates how difficult it is to give an account of oneself, and how this lack of self-transparency and narratibility is crucial to an ethical understanding of the human. In brilliant dialogue with Adorno, Levinas, Foucault, and other thinkers, she eloquently argues the limits, possibilities, and dangers of contemporary ethical thought.Butler offers a critique of the moral self, arguing that the transparent, rational, and continuous ethical subject is an impossible construct that seeks to deny the specificity of what it is to be human. We can know ourselves only incompletely, and only in relation to a broader social world that has always preceded us and already shaped us in ways we cannot grasp. If inevitably we are partially opaque to ourselves, how can giving an account of ourselves define the ethical act? And doesn't an ethical system that holds us impossibly accountable for full self-knowledge and self-consistency inflict a kind of psychic violence, leading to a culture of self-beratement and cruelty? How does the turn to social theory offer us a chance to understand the specifically social character of our own unknowingness about ourselves?In this invaluable book, by recasting ethics as a project in which being ethical means becoming critical of norms under which we are asked to act, but which we can never fully choose, Butler illuminates what it means for us as fallible creaturesto create and share an ethics of vulnerability, humility, and ethical responsiveness. Judtith Butler is the Maxine Elliot Professor of Rhetoric and Comparative Literature at the University of California, Berkeley. The most recent of her books are Precarious Life: The Power of Mourning and Violence and Undoing Gender.

  • Sales Rank: #222095 in Books
  • Brand: Brand: Fordham University Press
  • Published on: 2005-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.90" h x .50" w x 8.90" l, .55 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

Review

"In stunningly original interpretations of Adorno and Levinas, . . .Judith Butler compellingly demonstrates that questions of ethicscannot avoid addressing the moral self's complicity with violence.By laying out the premises of a creative rereading, this studyproves that the discussion of these two authors and their futurelegacy has, in a sense, barely begun. Butler writes in a trulySpinozistic spirit, mobilizing the greatest forces and joys ofphilosophical intelligence to counteract and redirect the cruelestand most destructive of human passions. Brilliantly argued andbeautifully written, Giving an Account of Oneself is destinedto become a classic, a must read for philosophers and students ofpresent-day culture and politics alike."--Hent de Vries,The Johns Hopkins University


"A brave book by a courageous thinker."--Hayden White, University of California and Stanford University


"In a time when moral certitude is used to justify the worst violence, Butler's nuanced reworking of what it means to be ethically responsible to ourselves and to others is welcome indeed."--Drucilla Cornell, Rutgers University


"A powerful exploration of the intersection of identity and responsibility, Giving an Account of Oneself shows us Judith Butler at her best, in dialogue with some of the other foremost thinkers of our age: Adorno, Foucault, Levinas, and Laplanche. Confronting the problem of identities that emerge only in relation to social and moral norms they may seek to contest, she proposes a rethinking of responsibility in relation to the limits of self-understanding that make us human."--Jonathan Culler, Cornell University


About the Author

Judith Butler is Maxine Elliot Professor of Rhetoric at the University of California, Berkeley. The most recent of her books are Precarious Life: The Power of Mourning and Violence (Verso, 2004) and Undoing Gender (Routledge, 2004).

Most helpful customer reviews

6 of 6 people found the following review helpful.
Butler's best book.
By StreetlightReader
At the heart of Judith Butler’s complex and pathbreaking reflections on gender has always been a concern with simply making the world a better place. A place at once more hospitable and more challenging than it has been, less exclusionary and less indifferent than it is. A concern, in other words, with ethics. In Giving an Account of Oneself, Butler opens the question of the very possibility of ethics; what kind of subject could be an ethical subject? What are the sorts of conditions by which we can act ethically in the world? In what manner can one be held to be accountable, and to give an account of oneself?

Against conceptions of subjectivity which hold that only subjects in full control of their wills and destinies can be responsible - and hence ethical - Butler argues, following in the footsteps of Emmanuel Levinas and Jean Laplanche, that responsibility flows only from the implication of the self in an order that rather dispossess the self of mastery; that our entwinement with forces and powers not (entirely) of our own making is in fact the very condition of our being responsible.

Liberal ears will no doubt bleed at the very idea, but Butler’s arguments are both immaculately conceived and powerfully conveyed. Central to Butler’s project is the concern with the very ‘appropriability’ of ethics to living beings. How can we, as human beings, cultivate a living relation to the ethical ideals we hold so dear? What sorts of violence follows when we fail to attend to the social conditions which enable and constitute ethical relations in the first place? Following from her work on speech-act theory in her previous writings, Butler goes on to to elaborate the need to take into account just these relations, relations which exceed the ability of a self to give a full and comprehensive account of itself.

As the spiritual follow up to her excellent The Psychic Life of Power, Giving an Account of Oneself is perhaps Butler’s best book to date. For all it’s theoretical perspicacity and complexity, it is a deeply humane book, a book written by an author with a passionate concern for the human condition and it’s contemporary travails. While it’s not the last word on ethics - does outlining the possibility of ethics constitute an ethics proper? And where, given the importance of the theme of ‘life’ and ’the human' in the book, are the reflections on biopolitics? - that ethics is about more than just about words means that at the very least, Butler’s book holds out a hope that is needed now more than ever.

1 of 2 people found the following review helpful.
Butler is a great philosopher. Her writing is clear and pedagogical
By Reviewer
Butler is a great philosopher. Her writing is clear and pedagogical, regardless of what they say. And her ethical outlook is the kind of outlook that we need today.

0 of 5 people found the following review helpful.
Persuasive and trenchant
By Angela Covalt
The chapters in this work are more-or-less discrete essays on a range of topics, all well-considered and cogent. I am particularly enamored of her chapter on governmentality and the resurrection of sovereignty.

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Stan Lee's How to Draw Superheroes: From the Legendary Co-creator of the Avengers, Spider-Man, the Incredible Hulk, the Fantastic Four, the

The third installment in comics icon Stan Lee's series showing readers how to draw some of the most exciting and dynamic superheroes of all time.

Spider-Man, the X-Men, the Fantastic Four, Iron Man, the Incredible Hulk, and the Avengers all share a common trait -- these hugely popular Marvel Comics superheroes were  co-created by the legendary Stan Lee. Now, Lee shows readers everything they'll need to make their own mighty superheroes, just like his classic creations. Lee exposes his secret tools and techniques for bringing strong, inspiring heroes and heroines to life. He even shows aspiring creators how to expand their super-universes with evil villains, trusty sidekicks, brutes and monsters, super-pets, secret hideouts, and more! These invaluable insights from one of the greatest superhero creators of all time are must-haves for all fans of Lee's legendary superhero comic work.

  • Sales Rank: #311670 in Books
  • Brand: WATSON-GUPTILL
  • Published on: 2013-07-09
  • Released on: 2013-07-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.51" h x .64" w x 8.62" l, 1.95 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

About the Author
STAN LEE is an icon in the comic book world. He is the co-creator of the Mighty Marvel Universe and such classic and immortal characters as the Avengers, Spider-Man, the Incredible Hulk, Iron Man, the Fantastic Four, Daredevil, and the X-Men. He has conceived more billion-dollar franchises than any other comics creator, and more than 2 billion comics based on his creations have sold in more than 75 countries and in 25 languages. Stan Lee is the former president and chairman of Marvel Comics and was awarded the National Medal of Arts in 2008. He is currently Chairman Emeritus of Marvel Comics and the Chief Creative Officer of POW! Entertainment.

Excerpt. © Reprinted by permission. All rights reserved.
Superheroes inhabit wild and weird worlds. However, they’re visually composed of some basic building blocks. In this chapter I’ll give you some pointers on how to draw superheroes based on the wild and wonderful world around us—as well as the world that’s aching to burst free from your fevered imagination!

Most helpful customer reviews

3 of 3 people found the following review helpful.
General guidelines from one of the best
By LD
Stan Lee is not trying to show you how to duplicate his characters. What he does is guide you through roughing out your drawing and then adding details based on personality, body type, costume, powers, expressions, and if this is a sidekick. It would be better titled "How to think before you draw".

The commentary is quite entertaining as he discusses the wide range of superheroes. For instance, those with a love interest are influenced to act slightly differently. The back stories of his superheroes give you some insights you probably did not pick up in the comics or movies.

Segments also detail robots, villains, animals, spaceships, hideaways, and cars to name a few.

5 of 6 people found the following review helpful.
Great, fun book to read....and you might even draw something!
By Scott
I purchased this book for my girlfriend's 10-year old son who's very interested in drawing comics and creating all sorts of super heroes. It's pretty funny to look at the types of super heroes he comes up with because they all have a list of super powers as long as your arm and the first power is always "cannot die".

Anyway, he's a big fan of Stan Lee so when I saw this book, it was a no-brainer to buy it. There's not a whole lot of instruction on how to actually draw super heroes given how many pages this book has, but it does give a lot of history of the heroes described in the book and speaks a lot to the types of heroes that a good comic book should have. He absolutely loves this book.

It's really good book to sit down and read even if your first priority isn't to learn how to draw.

Pick up a copy, I think you'll enjoy it.

4 of 4 people found the following review helpful.
Not a learning to draw book
By Juan Castro
Not a how to draw book. More like a conceptualize your character.

See all 26 customer reviews...

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