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His Song: The Musical Journey of Elton John, by Elizabeth Rosenthal
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Few artists in the music world have achieved the awesome success of Elton John. From his self-titled debut album in 1970 to his Academy Award for “Can You Feel the Love Tonight” to his music for the hit Broadway musical Aida, he has been lauded both for his recordings and his extravagant live performances.
His Song is destined to become the definitive critical volume about this remarkable artist. More comprehensive and in-depth than other biographies, this authoritative reference reveals the full story behind all Elton’s recordings; offers a complete chronicle of the artist’s concert tours, including his 1979 tour of the Soviet Union and his 1994–1995 tour with fellow piano superstar Billy Joel; divulges how he grew from a meek, unassuming man into a personality powerhouse and major superstar; and uncovers the untold story behind his flamboyant costumes and why he wore them.
This enlightening biography also examines the ebb and flow of this outstanding artist's career. It discloses the real reason for Elton’s commercial downturn and his difficult business relationship with David Geffen; his “coming out,” first as a bisexual and finally as a gay man; his problems with drugs, alcohol, bulimia, and sexual addictions; his relationship with AIDS sufferer Ryan White; and much more. It also tells the true story regarding his performance at Princess Diana’s funeral and his rewriting of “Candle in the Wind,” which went on to become the biggest-selling single in music history. Plus, over 40 photographs and a complete discography chronicle the breadth of this legend’s celebrated career.
- Sales Rank: #2034372 in Books
- Brand: Brand: Billboard Books
- Published on: 2001-09
- Released on: 2001-09-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.44" h x 6.35" w x 9.31" l,
- Binding: Hardcover
- 544 pages
- Used Book in Good Condition
From Library Journal
Rosenthal, a freelance writer, here attempts only the second serious biography of the bespectacled pianist (after Philip Norman's Elton John, LJ 2/1/92) and the first to include significant critical analysis of the star's music. As a biographer, Rosenthal relies exclusively on secondary sources to cobble together John's story, risking the perpetuation of inaccuracies. She also presents an assembly line of factoids but fails to give the reader a broader understanding of the man. As a critical analysis of John's music, the book is more successful, but here, too, are puzzling inconsistencies. Rosenthal takes pains to discuss every album track John has recorded in his 30-plus-year career, yet she ignores the plethora of nonalbum B-sides that he has released on singles a significant oversight. Oddly, the author devotes considerable space to lesser-known songs and only two sentences to "Your Song," arguably John's most beloved composition. Still, as a secondary selection, Rosenthal's well-meaning work is vastly superior to Susan Crimp and Patricia Burstein's The Many Lives of Elton John (Birch Lane Pr., 1992). Despite being dated, Norman's book remains the most definitive account. Lloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2001 Reed Business Information, Inc.
From Booklist
Documentation rather than biography is the raison d'etre of new books on aging rock superstars.Rosenthal on Elton John details all one could ever want to know about the intricacies of, say, "The Bitch Is Back." Copiously annotated, the dense recording-by-recording study comprises a full discography with some lamentable limitations; all songs and composers are listed, but none of the sidemen who played with John on recordings. Entertaining yet meaningful, disposable yet probably significant, John's continued popularity seems to guarantee readers for this good source of information on the working aspects of a career so voluminous that people will be serious about it, even if most of the songs are little more than Paul McCartney's "silly love songs." Mike Tribby
Copyright © American Library Association. All rights reserved
About the Author
Elizabeth J. Rosenthal is a freelance writer who has written for two Elton John fanzines, East End Lights and Hercules. She lives in New Jersey.
Most helpful customer reviews
3 of 4 people found the following review helpful.
A Supurb Biography of the Songs
By LEONARD HERMAN
While Philip Norman's semi-authorized Sir Elton remains the definitive biography of Elton John, His Song is a good look at the songs themselves. The two books complement one another, not compete.
While some biography is included in His Song, the major emphasis is on the songs. Rosenthal presents the songs in chronological order and she explains what each song means, an event in itself especially when Bernie Taupin's lyrics are concerned.
The book is excellent but there are some unfortunate downsides. In many cases we have to read about songs twice. First, when they are recorded, and again when the album was released. Sometimes it's hard to remember what year I'm reading about because I know a song was released in, say 1984, but i'm reading about when it was recorded in 1983.
While the book is complete with album songs and singles, some obscure releases and b-sides are missing. Nothing is mentioned about From Denver To LA, The Goaldigger's Song, and Sick City, to name a few. When were they recorded and what was the circumstances behind each one? I'd like to know.
One thing that bothered me throughout the book was the font. For some reason, the numeral '1' was presented as an upper-case 'I', through-out. I found this distracting.
The book did present a game though. Each chapter is named after a song and most of the sections are culled from song lyrics. The game was to figure out what song the lyrics were taken from!
All in all, His Song is a wonderful tribute to the songs of Elton John, which no Elton John fan should be without.
0 of 0 people found the following review helpful.
A Fantastic Biography of a Phenomenal Career
By Erik M. Williams
I thoroughly enjoyed this deep dive into the inspiration behind Elton John's immense catalog of work. It was meticulously researched and extremely readable without being biased - no mean feat for an author who is clearly also a fan. While my desire for a Volume 2, picking up where His Song left off prior to the recording of "Songs From the West Coast, may never be realized, I will still hold out hope for a follow-up offering from this talented author.
6 of 6 people found the following review helpful.
E.J. biography centers around the music
By Gary Gardner
Seeing as Elton John's career in popular music has been going strong for well over thirty years, it is easy to see why there are so many biographies about him. And why not? After all, John has always been an artist of unusual candor, not to mention unusual stage uniforms running from the trashy to the just-plain garish. But the music has always been the main thing, the reason his fans throughout the years still pay good money to see him, even at the ripe old age of 54.
Elizabeth Rosenthal's take on Elton revolves predominantly on the music in this lastest John biography. Those looking for fresh perspectives behind the man, rather than the performer, will be disappointed; certainly those more interested in the recording and performing parts of Elton's life will be most thrilled.
In fact, some of the more interesting items about E.J.'s off-stage life are given short shrift, indeed. Rosenthal hardly mentions the musician's public and private tiffs with his father, his early struggle with his dubious sexuality, or even his renowned drinking/drugging binges...and subsequent recovery in the early 1990's. Only scant mention is made of these life stories, which for better or worse have molded the man into what he is today. Many of the quotes you see (and they are few and far between) are ones given many years ago to other publications. Apparently, Rosenthal had the pleasure of meeting the singer in Atlanta, GA, where he makes his American home, but was apparently not able to interview him. Perhaps it's because John was still managed by the imposing John Reid, who has since been canned by Elton after some financial treachery done by the one person the megastar trusted for almost twenty-five years; Reid had been known to stand in the way of independent biographers who wanted fresher quotes from the star.
It's obvious to anyone who reads the book that Rosenthal is a big fan; she even runs a website devoted to her subject. She does an admirable job, however, of noting many of Elton's career missteps, if not all of them. She is less critical, however, of some of his missteps in his personal life, choosing instead to merely recount these unfortunate events.
Where Rosenthal eventually fails is in neglecting certain events in John's career that proved noteworthy. For instance, she doesn't elucidate in even one sentence why Elton split with lyricist Bernie Taupin after the recording of 1976's "Blue Moves." The motives behind the separation of the two in work collaboration is explained only briefly later on in the book. Other biographies had done a better job with this issue. After all, Taupin was as instrumental to the Elton John hits machine of the early-mid 1970's as the pianist himself. Without Taupin's entrancing lyrics, Elton's music had little outreach beyond some nice melodies constructed here and there.
Still, I enjoyed the copious background on the music. Rosenthal examines each album track, one by one, dissecting them and explaining why each one succeeded or failed. Her prose is definitely unique, and it provides an upbeat style that makes it an absolute joy to read. Those looking for more personal stories about the singer's extremely interesting life will only thirst for more, and are urged to seek out the various other E.J. biographies available.
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