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From movies to comics to graphic novels, monsters and their ilk tap into the terror that lurks in the darkest regions of the human collective unconscious. Enduringly popular characters, from vampires to zombies, provide an exciting challenge and appeal to comics and animation artists. How to Draw Chiller Monsters, Werewolves, Vampires and Zombies features the artwork of comic-book artist and Hollywood monster designer Kerry Gammill, Gene Colan as well as Neal Adams, Jim Steranko, Jack Davis, David Hartman, Frank Frazetta, Basil Gogos, and Wally Wood.
- Sales Rank: #585255 in Books
- Brand: WATSON-GUPTILL
- Published on: 2011-09-13
- Released on: 2011-09-13
- Original language: English
- Number of items: 1
- Dimensions: 10.87" h x .45" w x 8.54" l, 1.22 pounds
- Binding: Paperback
- 144 pages
About the Author
J. David Spurlock is a well-regarded authority in the comics industry. He has worked with legendary artists such as Neal Adams, Carmine Infantino, and Jim Steranko. He is the publisher of Vanguard Productions; has worked for Disney, Sony, MTV, and DC Comics; and has taught at the Joe Kubert School of Cartoon and Graphic Art, and the School of Visual Arts in NYC.
Rob Zombie is a musician, writer, and filmmaker. He first gained acclaim as the frontman for the Grammy-nominated heavy metal band White Zombie. Zombie wrote and directed the horror film hits House of 1,000 Corpses and The Devil’s Rejects, as well as directed a reimagining of the 1978 classic, Halloween.
Most helpful customer reviews
12 of 14 people found the following review helpful.
Really falls short
By J. FELLA
I'm happy to be writing the first review of this book. I'll mention that I have 3 similar books on how to draw monsters, etc. so I am trying to be non-biased and objective. Before the actual review, here is how the book is set up:
1) Form and Structure (spheres, blocks, cones, wedges, and gravestones)
2) Figure Drawing (Man vs. inhuman)
3) Monsters In Your Face (Perspective and Foreshortening)
4) Light, Shadow, Tone and Texture
5) Zombies
6) Vampires
7) The Monster (Frankenstein)
8) Werewolves
9) Composition (drawing monstrous groupings)
10) Hard-Lining It (inking)
11) Storyboards
Now, just so you have some idea of what I expect from an instruction book of this type, I'll tell you, so you can fully understand why I rate it the way I do. What was negative to me may not be to you. The "ideal" book of this kind, is one which shows step-by-step how to draw the monsters, talking plenty about lighting and shadow (because let's face it, why bother drawing monsters without creepy atmposhpere). But the critical thing, which would set the book apart from EVERY OTHER BOOK I've read, is it would show you how to draw the more difficult monsters (werewolves, for example) from multiple angles (at least side and front) so you can TRULY understand how to draw it from any angle. None of the books I've read do that. Just one picture from one specific angle. Kinda cool, but you don't go away from it feeling like you really "own" the material.
Now for the review. I'll just hit the highlights here, and not talk about every single chapter. Here are the negatives first:
*As a general rule, this book follows the following pattern: introduce your subject for that chapter, then show a bunch of fully finished drawings/comic panels from various professional artists, called "Artist Spotlight". After about a third of the way through it starts to feel like a book of art rather than an instruction book. Let me give you a specific example: the chapter on zombies and vampires has literally NO instruction whatsoever. NOTHING. Just a bunch of example pictures of fully finished art.
* The chapter on figure drawing, along with being very out of place, is just wasted space here. There is hardly any info there, just again a few random pictures. Could've been left out, easily.
*As a side note, most of the art in the book is black and white, but there is some color. I didn't mind, necessarily, and thought it kind of added a bit of character to it, like the old monster movies.
Now for the positives:
* The werewolf chapter does show a few different drawings/inkings of various styles of werewolves. Both sketched and more fully inked. They even mention that it is important to be able to draw these creatures from many angles, which got me excited, but then proceed to show it from the front and back... no side view!
*The chapter on storyboards is actually the highlight of the book. It shows some actual storyboards used in the remake of "Dracula" back in the 90's. Very cool to see how it is done.
I hate to be critical of books, especially ones like this that I have been waiting and praying for, but this just fell short. Very little instruction, too much filler about artists (which could've been a chapter at the end, or an appendix), and just too short in general. I've noticed most of these books are 144 pages. If that's something the publisher is setting a limit on they need to stop that. These books need to be longer and more thorough. Make one that is 200 pages, shows multiple angles and multiple examples of every monster, and show different lighting/shadow strategies. When someone does that, they'll have the definitive book on this subject.
6 of 6 people found the following review helpful.
Stands out from the crowd
By Eugene
There are many books on drawing monsters. J. David Spurlock's How to Draw Chiller Monsters... stands out from the crowd in a number of ways.
A) It is written in a way that works for everyone from beginners to professionals.
B) Includes standard step-by-step but, like college art courses, adds unique Monster Art Appreciation.
C) Entertaining read which is occasionally reminiscent of Famous Monster magazine founder, Forrey Ackerman.
D) Art by Spurlock and current artists like David Hartman, Kerry Gammill and World of Warcraft artist Alex Horley.
E) Includes art by an unprecedented list of classic monster artists including Basil Gogos, Frank Frazetta, Bernie Wrightson, Jim Steranko and Dracula artist, Gene Colan.
This book is much more than just another How to Draw Monsters book. My copy will be read and savored over and over again. It has my highest recommendation.
3 of 3 people found the following review helpful.
Not exactly the best book.
By Anubite823
This book has good images, but if you're looking for a book that teaches you how to draw zombies and vampires step by step along with shading and color then you'll only get the color/shading part. It has no step by step procedures on how to draw individual monsters, and only has examples of drawings by artists who draw this stuff for a living. It has some single "how to's" like using standard shapes to make the general shape of a monster or shading techniques, but other than that nothing else. My advice, if you have very good drawing abilities then you can just copy from the book, but if you can't draw very well without an instructional book then i suggest Hell Beasts: How to Draw Grotesque Fantasy Creatures by Jim Pavelec. It shows you step by step procedures on monsters and it also provides inspirational tips. So again, if you can draw very well, then get this book for inspiration or copying of the images, if you can't draw without step by step procedures and written explanations, then you should get the other book i suggested, Hell Beasts by Jim Pavelec.
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