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Mourning Modernism: Literature, Catastrophe, and the Politics of Consolation, by Lecia Rosenthal
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Mourning Modernism: Literature, Catastrophe, and the Politics of Consolation examines the writing of catastrophe, mass death, and collective loss in 20th-century literature and criticism. With particular focus on texts by Virginia Woolf, Walter Benjamin, and W.G. Sebald, Mourning Modernism engages the century's signal preoccupation with world-ending,a mixed rhetoric of totality and rupture, finitude and survival, the end and its posthumous remainders. Fascinated with the threat of apocalypse, the century proliferates the spectacle of world-ending as a form of desire, an ambivalent compulsion to consume and outlive the end of all.In conversation with recent discussions of the century's passion for the real, and taking on the century's late aesthetics of subtraction, Mourning Modernism reads the century's obsession with negative forms of ending and outcome. Drawing connections between the current interest in the category of trauma and the tradition of the sublime, Mourning Modernism reframes the terms of the modernist experiment and its aesthetics of the breaking-point from the lens of a late sublime.
- Sales Rank: #3606260 in Books
- Brand: Brand: Fordham University Press
- Published on: 2011-01-03
- Released on: 2011-01-03
- Original language: English
- Number of items: 1
- Dimensions: 6.30" h x .90" w x 9.10" l, .85 pounds
- Binding: Hardcover
- 192 pages
- Used Book in Good Condition
Review
Lecia Rosenthal's intricate argument traces the engagement with catastrophe in the work of three exemplary figures, Woolf, Benjamin, and Sebald. She also offers a compelling diagnosis of modernism's stubborn insistence that catastrophe must offer some form of gain. Rosenthal's brilliance lies in her refusal to console us. This is a demanding, provocative, and deeply rewarding book.-Martin Harries
Boldly written and well researched. Rosenthal brings together unexpected materials, drawing convincing lines of connection between seemingly disparate authors and texts. In style, argument, and method, Rosenthal produces knowledge unavailable within convential scholarship. Juxtaposing Benjamin and Sebald with Virginia Woolf produces explosive results.-Gayatri Chakravorty Spivak
About the Author
Lecia Rosenthal is Assistant Professor of English at Tufts University.
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