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A comparative study of the representation of sovereignty in paradigmatic plays of early modernity, The Tears of Sovereignty argues that the great playwrights of the period--William Shakespeare, Lope de Vega, and Calderón de la Barca--reconstitute the metaphors through which contemporary theorists continue to conceive the problems of sovereignty.
The book focuses in particular on the ways the logics of these metaphors inform sovereignty's conceptualization as a "body of power." Each chapter is organized around a key tropological operation performed on that "body," from the analogical relations invoked in Richard II, through the metaphorical transfers staged in Measure for Measure to the autoimmune resistances they produce in Lope's Fuenteovejuna, and, finally, the allegorical returns of Calderón's Life is a Dream and Shakespeare's The Winter's Tale.
The "tears" of sovereignty are the exegetical tropes produced and performed on the English stages and Spanish corrales of the seventeenth century through which we continue to view sovereignty today.
- Sales Rank: #1712324 in Books
- Published on: 2013-06-26
- Original language: English
- Number of items: 1
- Dimensions: 5.90" h x 1.20" w x 9.00" l, 1.45 pounds
- Binding: Hardcover
- 392 pages
Review
"Tears of Sovereignty is a smart, philosophically textured analysis of sovereignty on the seventeenth-century stage."--Graham Hammill, University at Buffalo, SUNY
". . . a highly theorized account of a set of mesmerizing problem plays from Spanish and English theater, which generate a range of insightful new accounts of the operation of the tropes of metaphor, analogy and allegory in relation to the theatrical image, the Eucharist, and the insignia of power."--Julia Reinhard Lupton, author of Thinking with Shakespeare: Essays on Politics and Life
"The central concept of this book hinges around a play on words in the title: specifically a 'double entendre' for the word 'tears,' which can mean the product either of weeping or shredding of fabric. What is conveyed by this word play is at once a destruction and a nostalgia for what has been destroyed." -Comparative Drama, Hilaire Kallendorf
"Lorenz masterfully interweaves philosophical, political, sociological, and historical perspectives into his readings of these diverse plays. . .Recommended"--Choice Magazine
"This important study offers us something like a primer in the mounting scholarship currently directed at the concept of sovereignty in early modernity."- Renaissance Quarterly
About the Author
Philip Lorenz is Assistant Professor of English at Cornell University.
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