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The Accidental Playground: Brooklyn Waterfront Narratives of the Undesigned and Unplanned, by Daniel Campo
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Highly illustrated and artfully researched, the book will draw readers into a unique space in one of New York City's most popular boroughs.
The Accidental Playground explores the remarkable landscape created by individuals and small groups who occupied and rebuilt an abandoned Brooklyn waterfront. While local residents, activists, garbage haulers, real estate developers, speculators, and two city administrations fought over the fate of the former Brooklyn Eastern District Terminal (BEDT), others simply took to this decaying edge, transforming it into a unique venue for leisure, creative, and everyday practices. These occupiers and do-it-yourself builders created their own waterfront parks and civic spaces absent every resource needed for successful urban development, including plans, designs, capital, professional assistance, consensus, and permission from the waterfront's owners. Amid trash, ruins, weeds, homeless encampments, and the operation of an active garbage transfer station, they inadvertently created the "Brooklyn Riviera" and made this waterfront a destination that offered much more than its panoramic vistas of the Manhattan skyline. The terminal evolved into the home turf for unusual and sometimes spectacular recreational, social, and creative subcultures, including the skateboarders who built a short-lived but nationally renowned skatepark, a twenty-five-piece "public" marching band, fire performance troupes, artists, photographers, and filmmakers. At the same time it served the basic recreational needs of local residents. Collapsing piers became great places to catch fish, sunbathe, or take in the views; the foundation of a demolished warehouse became an ideal place to picnic, practice music, or do an art project; rubble-strewn earth became a compelling setting for film and fashion shoots; a broken bulkhead became a beach; and thick patches of weeds dotted by ailanthus trees became a jungle. These reclamations, all but ignored by city and state governments and property interests that were set to transform this waterfront, momentarily added to the distinctive cultural landscape of the city's most bohemian and rapidly changing neighborhood.
Drawing on a rich mix of documentary strategies, including observation, ethnography, photography, and first-person narrative, Daniel Campo probes this accidental playground, allowing those who created it to share and examine their own narratives, perspectives, and conflicts. The multiple constituencies of this waterfront were surprisingly diverse, their stories colorful and provocative. When taken together, Campo argues, they suggest a radical reimagining of urban parks and public spaces, and the practices by which they are created and maintained.
The Accidental Playground, which treats readers to an utterly compelling story, is an exciting and distinctive contribution to the growing literature on unplanned spaces and practices in cities today.
- Sales Rank: #470352 in Books
- Brand: Brand: Fordham University Press
- Published on: 2013-09-10
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x 1.30" w x 9.00" l, 1.80 pounds
- Binding: Paperback
- 304 pages
- Used Book in Good Condition
Review
"With its vivid, detailed descriptions The Accidental Playground portrays the many, varied activities that citizens pursue, with great ingenuity and determination, in un-designed urban spaces. Campo's stories make painfully clear what is lost when such spaces are redeveloped. The book makes an invaluable contribution to the growing literature on the value of the un-planned."--Karen Franck, New Jersey Institute of Technology
"Daniel Campo's The Accidental Playground explores critical terrain at the intersection of urban planning, insurgent space, and visual culture. Campo's deep and sensitive portrait of a unique city space eliminated by business-as-usual New York development politics is a thoughtful paen to do-it-yourself placemaking, but also a nuanced warning that planning-for-profit can leave the true public good behind."--Brent D. Ryan, Associate Professor of Urban Design and Public Policy, MIT
"The Accidental Playground provides an informative and fascinating study of a unique area of Brooklyn. From skateboarding and marching bands to artworks and impromptu residences, Campo's perceptive eye and insightful interpretations provide a convincing account of the diverse value of city wastelands for creative urban living."Iain Borden, Bartlett School of Architecture, UCL
". . . In this magisterial account of the waterfront, Daniel Campo expertly deploys chops from many disciplines--anthropology, urban studies, journalism, architecture--to paint a vivid portrait of a lost world. Over years of research, he won the trust of the [Brooklyn] locals and they told him what the waterfront meant to them. Campo is a scholar who can write, and his stories preserve the magic of an urban wilderness that has been obliterated by the scheming of the rich and powerful. The Accidental Playground is both timeless and cautionary: places like the Williamsburg waterfront are essential, but if we don't listen to visionaries like Campo, they'll always be stolen from us."-Robert Anasi, The Last Bohemia: Scenes from the Life of Williamsburg, Brooklyn
"Campo's study plunges you into a red tape strewn hole of bureaucratic irrationality." -Quarterly Snack
". . . Thanks to Campo's unbiased writing, this is a great book of what the city used to be." -Ink New York
"Daniel Campo. a former New York City planner, considers the serendipitous development of Williamsburg . . ."--Sam Roberts, The New York Times
"The Accidental Playground provides a great contribution to emerging debates on vernacular creative city dynamics. In particular it offers a critical view on urban politics in relation to the design and planning of parks and other public spaces." --societyandspace.com
". . . we could all benefit from Campo's challenge to incorporate a broader view of par constituencies and develop a richer appreciation for the connections between place and the breadth of human experience." -Journal of Planning Eduaction and Research
"Daniel Campo's book, 'The Accidental Playground,' tells the story of an abandoned rail terminal on the North Brooklyn waterfront that between 200 and 2010 became the home turf of skateboarders, artists, marching bands, homeless people, and neighborhood residents in need of a bigger and freer backyard." -Next City
"Campo's close, yet open, reading should be an inspiration for students of planning and urbanism, and for contemporary practitioners. . ." -Journal of Design History
About the Author
Daniel Campo is Associate Professor in the School of Architecture and Planning at Morgan State University in Baltimore. Previously, he was a planner for the New York City Department of City Planning.
Most helpful customer reviews
4 of 4 people found the following review helpful.
A Must Read !!!
By joel stark
Superb scholarly narrative which was beautifully written and illustrated. Campo is a wonderful writer and his perceptive discussion of the Brooklyn waterfront and its occupants is fascinating
2 of 2 people found the following review helpful.
The Old Bohemia Is Gone, RIP
By B. Wolinsky
Daniel Campo worked for the New York City planning commission in the late 1990’s, a time when NYC was rising from its Death Wish reputation in a climb that hasn’t stopped. Rudy Giuliani was still basking in the glow of his take-no-crap popularity, and with downtown Manhattan almost 100% gentrified, he was setting his sights on the Williamsburg/Greenpoint waterfront, with its disused piers and trash-strewn lots. But what was left out of all the hubbub was the fact that the Williamsburg waterfront was no longer the crime-magnet that people thought it was. In the past decade, with struggling artists moving into the area, the waterfront had become a place for skating, music, and performance art.
By 2000, there were several improvised skate ramps on the “slab,” an old concrete pier. One of them was called the volcano for its odd shape, built with leftover concrete from building projects. For the construction companies, it was cheaper to give away wet concrete than haul it back in the truck, so there was plenty of free material. Some of it was sponsored by skate magazine, because having another skate park (legal or otherwise) would boost their sales (another example of capitalism at its best, Occupy Movement take note.) It was a weekend performance space for bands, fire dancers, jugglers, and just about every street performance imaginable; an urban version of the Burning Man festival.
In stark contrast to the “hip” reputation of today, Greenpoint was still an industrial zone by 2001. I remember it being safe, healthy (despite the underground oil spills), but with few nice restaurants. The 1990’s Brooklyn is depicted positively in Alex Robinson’s graphic novel Box Office Poison, but in the scenes where they eat out, it’s always a diner or an Italian place. There weren’t any of the cool restaurants that you have there now. If you didn’t mind the simple atmosphere, it was great for artists, musicians, or anyone that needed a place that was cheap, close to Manhattan, and safer than the South Bronx. In those days, Williamsburg’s inhabitants, whether they were yong artists or old working-class Poles, were used to making things themselves. The “slab” exemplified the DIY ethic.
The waterfront that was featured in the movie Hurricane Streets (among others) is mostly gone. It was gobbled up by State Parks and condominiums with views of Manhattan. But thanks to Campo’s unbiased writing, this is a great book of what the city used to be.
2 of 2 people found the following review helpful.
A great leap forward in the understanding of open space in the city
By Seth Zeren
This is a fantastic book, both a closely researched and written ethnography of an in-between-space (a disappearing but essential element of vital city life) and a thoughtful reflection on who creates the city, the unintended losses caused by formal planning and development, and the ultimate ephemeral nature of good places. Very important reading for planners, developers, and designers seeking to create great places, parks, or open spaces. The moral: leave some room for others to define the program, to color without lines.
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