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More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlic offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence and unpublished manuscripts and attuned to a musically inclined poet's skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin's work and life.
Who Can Afford to Improvise? is presented in three books--or movements; the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin's career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose messages and methods were closely related to his developing worldview. It concludes with the first detailed account of "The Hallelujah Chorus," a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlic reverses our musically inflected reconsideration of Baldwin's voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the twenty-first century.
Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of "lyrical travel" with the instructive clarity and the open-ended mystery Baldwin's work invokes into the world.
- Sales Rank: #1284655 in Books
- Published on: 2015-10-12
- Original language: English
- Number of items: 1
- Dimensions: 6.20" h x 1.20" w x 8.90" l,
- Binding: Hardcover
- 352 pages
Review
"In Who Can Afford to Improvise?" Ed Pavlic unearths James Baldwin's epic song--one shaped and honed by sacred and popular music. This rumination of intricate details celebrates Baldwin's vision of democratic conscience. Pavlic gives us a flesh-and-blood subject formed through a lyrical determinism of deep feeling. Through turn of thought and juxtaposition of historical and personal evidence, he embraces Baldwin's need for justice and truth."--Yusef Komunyakaa
"A brilliant and original study of Baldwin as the ultimate bluesman." --David Ritz, author of Respect: The Life of Aretha Franklin
"Pavlic offers the most extensive engagement to date with Baldwin's lifelong love affair with black music, but he also provides the most sustained and compelling account of how Baldwin's work speaks (or sings) to our present global condition."--Emily Lordi, author of Black Resonance: Iconic Women Singers and African American Literature
"Ed Pavlic's words have always heard the music and with "Who Can Afford to Improvise?", he shows the exquisite ways that James Baldwin's words both heard the music and was the music itself."--Mark Anthony Neal, Looking for Leroy: Illegible Black Masculinities
"Who Can Afford to Improvise is a tour de force from one of our premier Baldwin scholars. Ed Pavlic's brilliantly insightful meditation on black music and culture and Baldwin's centrality to that tradition is a must-read."--Peniel E. Joseph, author of Dark Days, Bright Nights
"Pavlic proves himself an expert on Baldwin's corpus."--Library Journal
"...Who Can Afford to Improvise plays in the pocket between actual musical performances, interpretations of the lyrical mode in Baldwin's poetics, and intricate historical detail."-Los Angeles Review of Books
"While Pavlic is to be commended for choosing such an important subject in the first place, what is more important is the fact that he has addressed it with a great deal of stylistic finesse and analytical clarity."--Kevin Le Gendre, Jazzwize Magazine
"If you read books, sometimes or all the time, for the quality of their sentences (and what writer doesn't? why else would anyone want to be a writer?), Who Can Afford to Improvise is even more essential. Ed Pavlic is f*cking fearless about how he goes about it, as fearless as any contemporary musician I can think of, as fearless as some of the greats. It's definitely a book, but music is where its soul is, if you ask me."--Dave Marsh, Counterpunch
"Ed Pavlic's strikingly original meditations reveal a James Baldwin swaddled in Black music whose masterful ear heard the overtones, the changes, echoes of memory, cries of agony and joy. By excavating experience from song and turning social critique into lyric, Baldwin produced a deeper, more dangerous truth."--Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original
About the Author
Ed Pavlic is Professor of English and Creative Writing at the University of Georgia.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Famtastic!
By Elle
Wonderful addition to my library.
2 of 2 people found the following review helpful.
James Baldwin and music/lyricism
By Earl
Who Can Afford to Improvise by Ed Pavlic is an accessible and far too rare form of literary criticism. Most critical books will tackle the works of the artist as works, be they novels, poems or whatever. The better works of criticism will also contextualize these works within the period in which they were created. Pavlic also brings an understanding of James Baldwin's work into active discourse with the present, a contextualizing within the period in which they are read.
This would be valuable for looking at any writer since one wonderful aspect of the literary arts is their ability to speak to different generations, different cultures and different historical periods. What Pavlic emphasizes here is the importance of "black music writ large" to Baldwin in both his life and his art. This lyrical aspect, as in music, is experiential in nature. If one also accepts that a reader, particularly an active reader, is also 'writing' the novel she is reading, then a work from 1963 can easily speak to life in 2016.
This volume is less a collection of essays about specific works than it is a playing of Baldwin's oeuvre with some riffing or improvising added as a way of contextualizing these works within contemporary culture. A type of call and response though that analogy is admittedly weak in my application here.
I reread some of Baldwin's books after I read this and found I had a much different interaction with them, almost exclusively from paying greater attention to voice first. I would highly recommend this for those interested in Baldwin, as well as applying that approach to other writers whose works seem to speak to you even when you aren't sure why.
Reviewed from an ARC made available by the publisher via NetGalley.
0 of 0 people found the following review helpful.
Five Stars
By Quancheese
Still working my way through this piece but very refreshing read so far! Baldwin is timeless!
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