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The Rhetoric of Terror: Reflections on 9/11 and the War on Terror, by Marc Redfield
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The terrorist attacks of September 11, 2001, did symbolic as well as literal damage. A trace of this cultural shock echoes in the American idiom 9/11: a bare name-date conveying both a trauma (the unspeakable happened then) and a claim on our knowledge. In the first of the two interlinked essays making up The Rhetoric of Terror, Marc Redfield proposes the notion of virtual traumato describe the cultural wound that this name-date both deflects and relays. Virtual trauma describes the shock of an event at once terribly real and utterly mediated. In consequence, a tormented self-reflexivity has tended to characterize representations of 9/11 in texts, discussions, and films, such as World Trade Center and United 93.In the second half of the book, Redfield examines the historical and philosophical infrastructure of the notion of war on terror.Redfield argues that the declaration of war on terror is the exemplary postmodern sovereign speech act: it unleashes war as terror and terror as war, while remaining a crazed, even in a certain sense fictional performative utterance. Only a pseudosovereign-the executive officer of the world's superpower-could have declared this absolute, phantasmatic, yet terribly damaging war. Though politicized terror and absolute war have their roots in the French Revolution and the emergence of the modern nation-state, Redfield suggests that the idea of a war on terror relays the complex, spectral afterlife of sovereignty in an era of biopower, global capital, and telecommunication.A moving, wide-ranging, and rigorous meditation on the cultural tragedy of our era, The Rhetoric of Terror also unfolds as an act of mourning for Jacques Derrida. Derrida's groundbreaking philosophical analysis of iterability-iterability as the exposure to repetition with a difference elsewhere that makes all technics, signification, and psychic life possible-helps us understand why questions of mediation and aesthetics so rapidly become so fraught in our culture; why efforts to repress our essential political, psychic, and ontological vulnerability generate recursive spasms of violence; why ethical living-together involves uninsurable acts of hospitality. The Rhetoric of Terror closes with an affirmation of eirenic cosmopolitanism.
- Sales Rank: #1769206 in Books
- Published on: 2009-09-07
- Original language: English
- Number of items: 1
- Dimensions: 5.90" h x .50" w x 8.90" l, .52 pounds
- Binding: Paperback
- 148 pages
Review
A masterly elaboration of post-structuralist thought on the subject.-Robert Applebaum
Topics include the attacks as a mediated spectacle.
A stimulating tour de force, The Rhetoric of Terror provides a brilliant lexicon of central keywords of our recent political life. Redfield's analysis of '9/11,' 'Ground Zero,' 'the war on terror' and other powerful slogans traces the performative paradoxes that have enabled these phrases to do such terrible work.Martin Harries
About the Author
MARC REDFIELD is Professor of English and Comparative Literature at Brown University, where he teaches literature and literary theory. He is the author of Phantom Formations: Aesthetic Ideology and the Bildungsroman (winner of the First Book Prize of the MLA) and The Politics of Aesthetics: Nationalism, Gender, Romanticism. Among the books he has edited is Legacies of Paul de Man (Fordham).
Most helpful customer reviews
1 of 1 people found the following review helpful.
America’s fear of ambiguity allowed ambiguity to reign over the ...
By Matthew Armstrong
America’s fear of ambiguity allowed ambiguity to reign over the USA in the costume of its opposite: simplicity. The Bush administration’s “war on terror” introduced a world in which a president could constantly claim he was a war-time president while at the same time argue that his adversaries were not soldiers, and, therefore, entitled, to human rights. This is just the tip of the iceberg. Marc Redfield’s masterpiece exposes the way our relationship to language and consciousness has been altered by the epoch of terror. Redfield is interested in the American media’s aversion to studying the theatrics—the aesthetics—of “the war on terror,” and what that fear tells us about ourselves and our cultural traditions. The Rhetoric of Terror is dense and compact, succinct and complex. In this book, Redfield accomplishes what so many critics of theory insist is lost in the current academy: a balance between the immediate and the mediated, the rigorous and the accessible. This is an important book.
1 of 2 people found the following review helpful.
A literary and social survey of how 'terror' has haunted politics and theory from the French Revolution to modern times
By Midwest Book Review
Any college-level collection strong in political rhetoric will welcome The Rhetoric of Terror: Reflections on 9/11 and the War on Terror. It provides a strong analysis of war scenarios, political influences on language, and political and military self-expression, offering a literary and social survey of how 'terror' has haunted politics and theory from the French Revolution to modern times.
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