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Dante and Islam (Historicizing Dante)From Fordham University Press
Free PDF Dante and Islam (Historicizing Dante)From Fordham University Press
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Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a "night journey" taken by Muhammad.
Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur'an and of Islamic philosophy and science in Dante's day and explores the bases for Dante's images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.
- Sales Rank: #4286950 in Books
- Published on: 2014-12-01
- Original language: English
- Number of items: 1
- Dimensions: 6.30" h x 1.20" w x 9.10" l, .0 pounds
- Binding: Hardcover
- 384 pages
Review
"How much did Dante really know about Islam? This collection of essays, framed by Ziolkowski's superb, judicious introduction, offers a substantive, multi-pronged overview of a vexed question among Dante scholars: the scope of his literary engagement with the faith of medieval Muslims and their intellectual traditions. Meticulous in their treatment, incisive and authoritative, these learned articles shed light not only on Dante studies but on the broader impact of Arabo-Islamic civilization on Western cultural history."--Luis M. Girón-Negrón, Harvard University
"This volume gathers together some of the major figures in the study of Dante and Islam, including the seminal work of Cantarino and Corti, as well as ground-breaking articles such as Burman on medieval readers of the Latin Qur'an and Mallette on the figure of Muhammad. Dante's visionary poetry is placed in the context of western reception of Arabic literature as well as the dynamic field of Mediterranean Studies. A must-read volume for scholars and students of European views of the Muslim world."--Suzanne Conklin Akbari, author of Idols in the East: European Representations of Islam and the Orient, 1100-1450
About the Author
Jan M. Ziolkowski is Arthur Kingsley Porter Professor of Medieval Latin at Harvard University.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Too specific of a topic and too narrow of an audience. Borrow before you buy to see if it's for you.
By Stuart Dunn
Dante and Islam is one of the toughest books on Dante I have read. That is saying a lot, as I have been reading a lot on Dante this past month. For the past century, it has been a hot topic in Dante scholarship that Muslim eschatology influenced The Divine Comedy. There is speculation that Dante knew Arabic, but as it has never been proved, so we must continue to dig deeper in this matter. In the essay "Dante and Islamic Culture," we learn of the proximity and contacts between the Catholic world and the Islamic world in the Middle Ages, We are also given examples of possible connections between Dante's works and Arabic texts. Subsequent essays then discuss the availability of a translation of the Qur'an in Dante's time and whether or not Dante would have read it/borrowed from it. The most interesting section in the book was "Images of Muhammad in Dante." There are two essays in this section. One compares Islam and the heresy of Arianism and the other examines Dante's placement of Muhammad in Hell. Both were fascinating to read, but highly academic.
This book, as I stated in the last sentence, is highly academic. I knew that going into this book, because it is from a university's publishing house. However, it was printed in a more affordable paperback version, which usually signifies that this book would have a broader appeal and will interest many readers. Unfortunately, I found this book to be too specialized and only really appealing to a very, very small audience. I have had this book in my possession for months and tried to read through it time and time again, but I had to keep putting it down because it was both over my head and contained many references which I did not understand. I'm not sure if that is a flaw with the book or a flaw with me. I did want to test this, so I lent the book to my local Dante scholar, and even she could not make it through this book. If you think you are the audience for this book, I recommend getting an inter-library loan and giving this book a test drive before you invest your actual money in it. I truly wish this book would have been better and more approachable, but this book was not for me.
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