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The Animal That Therefore I Am (Perspectives in Continental Philosophy), by Jacques Derrida
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The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida's ten-hour address to the 1997 Crisy conference entitled The Autobiographical Animal, the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session. The book is at once an affectionate look back over the multiple roles played by animals in Derrida's work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction-dating from Descartes-between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single the animal.Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses tothe question in the work of each of them.The book's autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida's experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of man's dominion over the beastsand trace a history of how man has systematically displaced onto the animal his own failings or btises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of lifeto which he returned in much of his later work.
- Sales Rank: #504098 in Books
- Brand: Brand: Fordham University Press
- Published on: 2008-04-15
- Original language: French
- Number of items: 1
- Dimensions: 5.90" h x .60" w x 8.90" l, .59 pounds
- Binding: Paperback
- 192 pages
- Used Book in Good Condition
About the Author
The late JACQUES DERRIDA was the single most influential voice in European philosophy of the last quarter of the twentieth century. His The Animal That Therefore I Am, Sovereignties in Question, and Deconstruction in a Nutshell have been published by Fordham University Press.
MARIE-LOUIS MALLET has been a Program Director at the Collge International de Philosophie and was the organizer of three of the four Derrida Cerisy conferences. She is author of La Musique en respect and is the editor of the special edition of Les Cahiers de l'Herne on Derrida.
DAVID WILLS is Professor of French and English at the University at Albany, SUNY. His most recent book is Dorsality: Thinking Back Through Technology and Politics.
Most helpful customer reviews
13 of 13 people found the following review helpful.
For the philosophical animal lover
By threezees
This book is among my first experiences with Derrida, and it has forever changed the way I view animal cruelty and the animal- human relationship. Derrida is brilliant. It's easy to feel privileged with the companionship of his thoughts and deconstruction of the philosophies of Descartes, Heidegger, and Lacan among others. We have gone from the traditional image of philosopher with dog at his feet to philosopher stark naked and vulnerable before his cat. It is an illuminating read.
2 of 3 people found the following review helpful.
THE ROLE OF “HUPAKOUO” IN AUTO-BIOGRAPHY:
By barryb
THE ROLE OF “HUPAKOUO” IN AUTO-BIOGRAPHY:
How are we to define the “self” as “subject” if we ignore “spiritual-seeing” and “spiritual-hearing”?
There is more to humanity than the cognitive and the construction of rational propositions. There is a more primitive dimension that also defines us. This dimension speaks to us in an unknown grammar, one that appears to the Hupakouo attribute of the “psyche” who possesses the right perspective or “stance”. Of course, this is the concern of phenomenology in the first place; and the concern of post-modern thought. It is time to re-acquaint ourselves with the “Animot-voice” of the animal-other.
In 10 days at a conference held at the Cerisy Cultural Center in Lasalle, France Derrida did just that. This is his treatise of “awakening”; his plea for a new “auto-biography”, one that will give the animal-monster, that currently exists in the world, a “new name”.
HOW DO WE WRITE THE NEW NAME?
Derrida proposes a triad with regard to his approach. We could call this his “triad-of-Hupakouo”; a new LOGOS. Its parts: 1. the “being-after” of the self as a state of latency with regard to this quest for auto-bio definition. This is the self of shame and impropriety, and under the gaze of the interrogating animal-other. 2. The “being-alongside” marks a transition of the self where self enters the role of “negation” and negating the “monstrous animal”; and positing instead the “theoretical animal-other”. But discernment is still missing here. The self needs dialogue to get past this “lack” with regard to auto-biography. 3. The “being-near” of the self recognizes the role that ”Hupakouo” plays at the level of “presentation” concerning the “other” and “listening” with regard to the transcendentally intuitive “psyche”. Self and animal can co-exist in dialectic.
This is the same Derrida of the “phenomenology-of-writing”; therefore, we should recognize that the “PRAXIS” of all this is the positing of a written “zoo-to-biographical sketch”. This is a sketch of relation between the “I” of the self and the history of the “animal-as-concept”. We will enlist the attestation, argument, and proof of our recalled “auto-bio memory” as the apologetic accompanying proclamation; to help empower this PRAXIS.
The “notion” of this praxis-positing is formed through a process Derrida calls: “Limitophy”; which is a deconstruction of the false-singularity of “animal” currently in existence, coupled with re-interpreting the limit-point of our situation in a way that is “non-linear”. And the “cultivation” of the results of dialogue at the conversation-threshold with other selves involved in the process of forming a new name for animal. Cultivation takes place under the critique of a posited 3rd party called “Universality”.
Give yourself the benefit of reading this manuscript slowly; it is rich in content and addresses Derrida’s fundamental position in a way that centers on ”listening”. We are never so well advanced that we cannot learn new ways to awaken our spiritual listening.
5 stars for this 10-day conference.
0 of 0 people found the following review helpful.
another Derrida!
By Glen A. Mazis
Not really--most of his themes are here, too--but it is a more passionate, more straightforward Derrida than many of his works--he really cares about animals and his anger at the history of Western philosophy for giving the foundations for this "genocide" against animals is palpable--one of my favorite books that I found my students loved, too--and they did not have a strong background in philosophy.
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